Christine (1983)
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| Directed by: |
John Carpenter
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| Starring: |
Keith
Gordon/Arnie |
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John
Stockwell/Dennis |
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Alexandra
Paul/Leigh |
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Harry
Dean Stanton/Junkins |
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| RATING
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PLOT-CRUNCH:
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The moment school geek Arnie
(Gordon) set his eyes on Christine, it was love at first sight. The problem
is that Christine is a cherry red 1958 Plymouth Fury
and to make matters better (I’m a horror fan so yes, this is better),
she’s also a possessed car with jealous fits and murderous instincts.
Arnie’s obsession toward Christine transforms him from mucho geek to psycho
chic and you bet that school bullies will get run over.
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THE
LOWDOWN: |
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"Christine" is based on a book by
Stephen King (that goes by the same name) and horror master John Carpenter
directed it. How can you go wrong? I know the film is different from the
book (many purists bitched about this upon its release) but I haven’t read
the book, so I don’t give a rat’s ass! This movie has been underrated
for years and I think it's time to give it its rightful dues right here in this
freaking review.
Christine grabbed me right away
with its slick opening credits (with the sound of a car engine rumbling)
and its opening at the car assembly line. It didn’t let me go till the closing credits. The film is not particularly scary but it is
definitely engaging and very entertaining. What really helps make
this somewhat silly situation credible are the actors. I want to buy a
beer to whomever cast this puppy. All of the main performers take their
somewhat cliché characters (the jock, the geek, the brainy chick) and
make them feel real. With lesser actors it wouldn’t have worked as well.
Also, major props to Carpenter for actually pulling off the “car with a
soul” thang. I’m sure it was a tough aspect to get a handle on but
Christine’s personality shined through all the way. I loved the way that
she
communicated through 50’s tunes from her radio and I always
perceived her as a main character. Wrap all that in extreme atmosphere and
stylized visuals, slap in a somber, synthesizer score by Carpenter himself
(that’s it, I have to buy this guy's music!) and you get a film that’s
a cut above the norm.
I’ve heard people say that the
film was too long and I don’t agree. I was actually craving more, which
brings me to my main complaint about the film. There wasn’t enough
emphasis put on Arnie’s (Gordon) nerd to cool guy transformation. It
happens too quickly and not gradually enough. It’s almost like one second
he’s a nerd and then the next...he’s choking his dad or wearing kool
threads. The movie should’ve taken more time with that. I also would
have liked to have seen Arnie’s relationship with Leigh (Paul) be explored
further before Arnie lost it. If I ‘d seen them be more normal and loving
early on, that would’ve made me care more about the conflict that
happened between them later.
But on
a whole, "Christine" captured my heart. The situation and the characters
reeled me in. The moments of high style in the film (when Christine chases
some school bullies) had me foaming with delight; the effects were dead-on
(seeing Christine reconstruct herself was a damn blast!) and the film was
just a fun (but somewhat downbeat) ride. Yes, I’m in love with
Christine…varoom!
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| ACTING: |
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Keith Gordon (Arnie) does the geek thing very well but
it’s when he was in "psycho" mode that I really sat up and said wow!
This
dude is talented and is way scary! John Stockwell (Dennis) nails the
"jock
with feelings" bit and conveys all emotions properly. Alexandra Paul
(Leigh) should’ve gotten more screen time, her character is not
developed enough. She does have an agreeable presence but tends to be a
bit too melodramatic at times. Harry Dean Stanton (Junkins) is a delight
as the nosy cop on Arnie’s case. I loved his delivery. William Ostranger
(Buddy) looks like John Travolta's evil twin brother minus the acting
talent. His performance is hilariously overblown. He’s the weakest actor
in this film.
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| GORE: |
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A broken piece of glass in a character’s belly, a
corpse on fire…not much in terms of gore but the film doesn’t need it.
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| T
& A: |
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Everybody keeps their tops on but Christine looks
really good. That cherry red body of hers is too die for…yum…
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| DIRECTING: |
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The film is tight, has some sharp camera movements but
what really did it for me were the “Christine” moments where Carpenter
goes all out. For instance, the scene in which the car is on fire, headlights
on chasing a scumbag. Backed with the solid score and the moody ambiance,
that sequence almost had me creaming my pants. Carpenter has a talent when
it comes to coupling scenes with music and it’s in extreme evidence here. He
also uses sounds brilliantly and the cinematography is superb.
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| SOUNDTRACK: |
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Lots of rock 'n roll oldies grace this soundtrack. My
favorites being “Bad To The Bone”, “Keep A Knocking” and “We
Belong Together”. The score my Carpenter is excellent and really
supports the film’s many groovy moments.
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| BOTTOM LINE: |
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We all know that some guys love their cars more than their
chicks (that’s why I’m nailing them while they go for a drive) and
“Christine” takes that concept a step further. I really don’t see
why this flick got so much flack when it first came out. It has solid
acting, stylish directing, strong effects, a slick score and much like
Christine, it has soul. The film can almost be perceived as a love
triangle: a boy, a girl and a car. I can’t believe Carpenter made that
work. Christine, baby…I love you. “kiss” “kiss’ “vroom”.
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| BULL'S EYE: |
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Thirteen
or sixteen (everybody says different) Plymouth Fury's were
smashed during the shooting of this film.
The book Dennis picks up before
asking Leigh out is “Christine” by Stephen King.
Keith Gordon (Arnie) went on to
become a director. His directing credits include "Mother Night" with Nick
Nolte and "Waking The Dead" with Jennifer Connelly and Billy Crudup.
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