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The Arrow
A Nightmare on Elm Street (1984)
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| Directed by: |
Wes
Craven
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| Starring: |
Heather
Langenkamp/Nancy |
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Johnny
Depp/Glen |
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John
Saxon/Donald |
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Ronee
Blakley/Marge |
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| RATING
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PLOT-CRUNCH:
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A bunch of fifteen-year-old kids
(actors in their 20s) all dream about the same skinny, dirty madman with
claws for fingers. The catch is that if he kills them in their dreams,
they die for real.
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THE
LOWDOWN: |
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This movie marked me when I was a kid and
left me with many sleepless nights. It marked a lot of people cause this
badboy sprang 6 sequels. It made Robert Englund (Freddy) a star,
introduced Johnny Depp and set a new trend in horror: dreams versus
reality. Now everybody knows that Freddy became the "Big Mac" of
horror. We got Freddy underwear, Freddy dolls, Freddy lunch boxes, damn
Freddy even got his own TV show (Freddy’s Nightmares). But before all
the hoopla Freddy was far from funny, he was a true nightmare: A filthy
child molester who comes back in dreams to murder the children of the
parents who killed him. Does that sound funny? At all. The whole: are we
in a dream? are we in reality? thang is fascinating and very "avant
garde" for its time. The line between the two is always blurred and
that kept me on my toes the whole way.
Nightmare On Elm Street wears its
title well, watching it is like watching a nightmare captured on film. It’s
dark, weird, unpredictable and very out there. We get many disturbing
images (the long armed Freddy scene or the running lamb did it for me),
creepy settings, a few gore shows, some nice surprises (Freddy phone
tongue) and a messed up ending. I’m still not sure what the ending
means, so many ways you can interpret it, I think the whole movie is a
dream. Apart from messing with our heads Craven gets to fully explore his
booby trap fetish (he dabbled with it in Hills and Last House) and it
works like a charm. The film does suffer from some mediocre acting by its
lead (Langenkamp) and the fire stunt (guy in fire suit) is badly done but
its morbid imagination, its scary set ups and its tight pace more than
make up for it. Lets stroll down Elm Street.
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| ACTING: |
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Heather Langenkamp's (Nancy) performance in the film isn't flawless but
she has that special something that makes her very appealing. Amanda Wiss
(Tina) is the strongest thespian here and is very credible, I liked her
lots. Johnny Depp (Glen) underplays the part and is responsible for some
funny moments. John Saxon (Donald) is awesome as always, he’s an actor
you can’t help but like. Ronee Blakley (Marge) is very spooky looking
and it works for the part. Nick Corri (Rod) does the bad boy thang to a T
and comes through in his emotional scene (love the leather jacket). Robert
Englund is creepy as the gloved wonder and his limited screen time makes
him even scarier.
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| GORE: |
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Some off the wall stuff. The girl being dragged up on the ceiling, being
cut by the invisible Freddy. The geyser of blood that comes out of the
bed. Enough here to satisfy.
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| T
& A: |
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Side view of Nancy’s breasts in the tub but they belong to Cristina
Johnson who doubled for Langenkamp.
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| DIRECTING: |
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Craven does well. Great lighting, lots of fade to blacks, the film moves
at a tight pace and Craven does everything he can to scare the shite out
of the audience. It works.
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| SOUNDTRACK: |
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Classic, eerie score by Charles Bernstein…chilling.
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| BOTTOM LINE: |
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Of course, today the film is not as scary as it used to be
when I was 15 but I can’t deny the film’s ambition and originality. I
put this flick right up there with Exorcist, Halloween or Texas Chainsaw
Massacre. It’s a staple in the genre that’s still effective today.
Forget the sequels, forget the Freddy "Happy Meals" and check
this classic out. Elm Street wasn’t always about a wisecracking villain,
it use to be about fear.
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| BULL'S EYE: |
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The 1996 Elite home video re-release features
outtake footage added as a bonus on a separate tape. It's also remixed for
surround sound. Here are the scenes:
An extended scene when Rod shows up at Tina's, a
small love scene between Nancy and Glen. The two kiss, then she stops it.
A scene between Donald and Marge in the graveyard
after Tina's funeral, talking about Fred Krueger and how they
"knew" Krueger was dead.
Another Extended scene is in the sheriff’s
office when Nancy is begging her father, Lt. Donald Thompson, to let her
see Rod. (Also seen in one of the original trailers).
A falling dream sequence with Nancy wasn't
finished with complete special effects after a test screening. After Glen
is sucked into the bed, and it shoots out blood, his blood soaked body
rises up out of the bed, and falls limp.
And the scene in the basement when Nancy's mother
shows her the claws, she also reveals that Nancy wasn't always an only
child, along with every other child on the block, adding a deeper motive
not given in the final cut of the film.
There are several different cuts of the ending
were lighter on the scares. Originally Bob Shaye had Wes end the film with
the kids getting on the bus, and Freddy turn into the bus driver, and they
drive away. (much like the beginning of Nightmare on Elm Street 2:
Freddy's Revenge (1985)).
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