Hellraiser is without a doubt an original piece of meat: On one side we
have real human drama going on (Julia lusting/killing for Frank, Kristy
trying to accept her new mother, Frank being a selfish a-hole, Larry being
the good, oblivious husband, trying to have everybody get along). On the
other side we have blue demons, a gnarly puzzle box, deadly hooks and a
pissed off creature. Take out all the hellish ingredients and this could
pass for a British TV drama with shades of SNM.
Adultery, lust, murder,
curiosity, pain and pleasure are the main dishes and even though the
supernatural elements are presented very strongly, they never drown the
core of what’s going on. That’s quite a feat, I still don’t know how
Barker pulled it off.
Without a doubt, the
strength of the film relies on Julia and Frank’s relationship. It’s
when the film focuses on them and their actions that it is at its
strongest. The subplot with the bug-eating vagrant also worked. He
complements the film’s weird aura and brings everything full circle. I
also liked the role the Cenobites play in this flick. Their background
players who are there to serve the story, not drive it. This story is about
humans, not the history/past of blue demons. It works better this way.
The film’s suspense
is in top form with the scenes involving Julia bringing Frank his meat
(single, balding, horny men). You feel for these poor chap, all they
wanted was a piece of tail but instead they get hammer hits to the head
and become Frank lunch. The rest of the film is almost devoid of tension
and the finale which is supposed to have you on the edge of your seat,
betrays the first hour by going the light show way with some bad visuals
(the vanquishing of the Cenobites, the hall demon).
Another bad thang: Why
is Kristy’s boyfriend even in the film? The character brings nothing to
the story and actually distracted me from some horrific events. The actor
that plays him is so damn wooden (the man is not impressed by eyeless,
blue demons) that I was too busy cursing at him instead of watching the
film. If that dude had been on my set, I would have fired his silly
looking arse. I hate lazy actors.
The script lost me a
few times: At a certain point Kristy faints and is brought to the
hospital. Why is the staff so crude to her? Is fainting a freaking crime?
Why do they lock her in her hospital room? Why are they calling the
police? Doesn’t make sense to me. Felt like a plot device that ignores
logic.
The box
itself doesn’t make too much sense either: It’s supposed to open
the gates or heaven or hell. Well I guess heaven is a tough combo cause
these guys always ring up Lucifer’s pad. The box is supposed to be a
mystery but Kristy has no problem figuring it out or using it to vanquish
the demons (way too easily).
Barker loses himself a
bit in his over ambition and unfortunately the budget is not up for it.
The hallway creature is too fake looking (it's so obvious he’s being
pushed on a wagon or something), the house fire in the end (what house
fire?) is communicated by showing us a few chairs remaining with flames
around them. We never see the house burn down (from the outside) and it
makes for a weird transition.
Barker should’ve
tweaked his script to fit his budget. That hallway demon was supposed to
bring suspense to the film but instead it brought me laughter.
Big ambitions +
original concept + low budget = uneven film that succeeds and fails half
the time. That’s not necessarily a bad thing. I appreciate over ambition
way more than heartless filmmaking. Here Barker goes for the gold but gets
the silver.