This is another one of those
sci-fi flicks that’s been sitting on the shelves for quite some time (the
initial release date was August 11, 2000). It’s based on a Phillip K. Dick
story (what isn’t these days?) and you will feel echoes of other Dick
tales like “Total Recall” and “Blade Runner” emanate from it.
The movie starts off with a bang,
setting up its premise with flair. Fleder goes "all out" in the
style
department, establishing the world of the film and its love element with
mucho panache. I was ready for a good ol' time at the movies.
Unfortunately, the film’s set-up eventually serves us a huge plot hole
that I personally had trouble getting over for the whole duration of this
baby: “If you’re going to accuse a man of being a replicant, how about
doing some freaking tests on the dude to provide concrete proof before
ripping his damn heart out?” What kind of organization goes on a hunch?
There’s a man’s life at stake here! Talk about lazy screenwriting.
Once the story is set in motion,
it basically becomes a very standard chase flick. Think “The Fugitive”
but without the tension or the spark. Nothing really exciting happens. It
takes more than a couple of fight sequences with bums in a tunnel or
military officers that can’t shoot for me to pop a woody. Add to that, a
tedious relationship between Cale (Phifer) and Spencer (Sinise), a mostly
absent Madeleine Stowe (should’ve capitalized more on her relationship
with Sinise) and a couple of dumb choices (if I would be Public Enemy #1,
I wouldn’t walk around in the night-time with a hood and sunglasses) and
you get a mid-section that seems more in tune with an average TV episode
of “Outer Limits”, than the big screen.
But
I still kind of enjoyed the flick because I loved
the subject matter and generally enjoy sci-fi (I even liked "Judge
Dredd"…go
figure). I also dug the sporadic gnarly effects, the constant question as
to Sinise’s TRUE identity, the occasional kool shootouts, the flamboyant
directing, the solid CGI (although I’m starting to get jaded) and the
tense knockout ending that kicked me in the privates. I came out of the
theatre a tad entertained but overall, "Impostor" just never lived up to its
promise. Where’s the script doctor when you need him? Clone this!