On
very rare occasions, witty remarks and analogies to shameless knob-licking
hookers are just not enough for me to INITIALLY describe how I feel about
a particular movie. This, my friends, is one of those times. So I decided
to start this review with a simple, yet, to the point statement: “I
truly loved this film”. I know the line is not funny, alcohol related or
raunchy but what can I do? The pervert boozer in me just isn’t talking
right now! So here it is again, in case you didn’t catch it on its first
run: I TRULY LOVED THIS FILM.
"Signs"
is a well written, masterfully directed and expertly acted genre treasure
that brought much more substance to the game than I thought it would. In
plain English: It has everything you’d want from a movie and then some.
It begins its quality streak by dealing us fleshed out characters and the
genuine/touching relationships between them. I truly got attached to these
fine folks, especially Graham
(Gibson) and his poignant state of being. I even shed some bloody tears on
my popcorn at times! Now when The Arrow cries, it’s either sad or Larry
Clark is doing another horror movie. In this case...it's SAD!
On
the flipside, the flick is also surprisingly very funny! I really didn’t
expect to chuckle coming in to see a M. “my movies are depressing”
Shyamalan offering, but I did! The dialogue is witty to say the least and
the bang-on actors made it all happen with their honest delivery and
engaging chemistry. Actually, the humor really worked in the film’s
favor and upped the “horror” ante. On many occasions, I found myself
feeling comfortable and appeased by the sharp repartee but just when I
thought everything was safer than a nun in a strip joint…BANG…the
flick would a drop a “fear” bomb in my lap and scare the living shite
out of me. THANK YOU FOR THAT!
Which
leads me to the film’s horror elements. Now I don’t want to give
anything away so I’ll be at my vaguest and refer to the main going-ons
as “the event”. “The event” has been tackled many times on
celluloid in the past but no film has ever equaled "Signs" when
it came to communicating the SHEER terror of how it would feel to live
that situation FOR REAL. “The event’s” strong impact was due to two
factors in my opinion: Unos) It takes place in a self-contained
environment with a handful of people that I was allowed to get attached
to, therefore be silly scared for. Dos) Shyamalan takes a minimalist
approach to “the event” that worked like Anna Nicole Smith on a 92
year old man. He not only lets our wild imagination fill in the blanks but
when he does show us something, MAN, IT KICKS YOUR ASS! The “less is
more” rule was never more true than with this film. There are some truly
chilling moments here and I for one felt a real sense of “uneasiness”
for the most part of the running time. God, it felt good to wiggle in my
seat in cum-inducing fright again!
And
then there’s the ending. In true Shyamalan form, the finale once again
brought the whole of the film an extra layer that I gobbled up whole like
“Pac-Man” on a munchies spree. Have you ever felt a rush of goosebumps
travel through your body in an awesome wave while watching a flick? Well,
I felt that sweet juice during the cap off FULL FORCE! Tag to all that,
the film’s competent tackling of heavy emotional themes such as
“faith”, “coincidences”, “love”, “God” (yes, him again)
and the “human condition”, some limited but gnarly visual effects,
various creepy settings and a score that will raise the hairs on your
testies and you get one of the top genre films of the year. Follow the
signs dudes and dudettes, they lead to a scary and fulfilling place.