They Live (1988)
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| Directed by: |
John
Carpenter
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| Starring: |
Roddy
Piper/Nada
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Keith
David/Frank |
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Meg
Foster/Holly |
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George
“Buck” Flower/Drifter |
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| RATING
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PLOT-CRUNCH:
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A down-on-his-luck drifter dude
(Piper) named Nada (he sports a backpack, so yes...he’s a drifter) unwittingly finds out through
a pair of high-tech sunglasses, that
aliens have taken over the world and are posing as the upper class. Nada
isn’t down with that shite one bit and resorts to firearms to free
humanity.
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THE
LOWDOWN: |
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"They
Live" starts off with more ambition than the usual “bang bang, alien
bitch goes down” opus. It slaps a very groovy premise our way while at
the same time commenting on the 80’s “Reaganomics” (rich get richer
while the poor get poorer). But then something happens and it takes away
from the weighty issue which the film was initially addressing. Roddy Piper is a
big part of that something. Carpenter has always been a fan of wrestling
and slapping the motor-mouth heavyweight in the lead here, lightened the
film’s tone and eventually turned it into a no-holds barred campy action
fest.
The
moment Nada finds out what’s going down via the sunglasses, the
message angle flies out the window and Carpenter chooses to indulge himself
instead, like a teenager on a hooker spree. Want to see Piper walk in a bank and
blow alien scum to smithereens relentlessly? Right here, a-hole. Want to
see a whacked out 7-minute wrestling brawl between Piper and Keith David
in an alley (what was the point of that scene again…who cares!)? You got
it, hombre. The film slaps a thick layer of mayhem our way and even though
it snows over the more meaningful levels of the story, it’s a freaking hoot
and a half to witness!
The
flick also succeeds on a visual standpoint. Having reality shown in black and
white gives the film a simple yet kind of spooky look that really works. I
also have to give props to Carpenter for managing to create a world
controlled by aliens on a limited budget with no big effect set pieces. We
get a couple of billboards, some alien makeup and a rarely seen flying
object…. that’s it. ven
though the film is light on effects, you’ll still buy that space freaks
have taken control of everything. Carpenter gives us enough to get us
going and our imagination does the rest.
In
the end, "They Live" didn’t make me think like I thought it wanted me
to, but
it satisfied another one of my cravings: entertainment. That’s just as good!
This film is 100 percent pure, unadulterated fun. I easily let go of the
film’s more obvious fuck ups (you’re trying to tell me the aliens
controlled the whole world with one satellite dish…come on!) and just
had a freaking blast! Was it supposed to be this campy? Who gives a damn!
“I’m here to kick ass and chew bubblegum and I’m all out of
bubblegum”…YOU GO PIPER, YOU KICK THAT MONEY HUNGRY ALIEN ASS!
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| ACTING: |
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Roddy
Piper (Nada) starts off very introspective and all puppy-dog eyes. I liked
that, but the moment that the film shifted into “action” gear, he became
the Piper we all know, spurting one-liners and kicking all kinds of ass. I
liked that too. Keith David (Frank) is a solid actor and he plays off
Piper perfectly. They had great chemistry together. Meg Foster (Holly)
lets her freaky cat-like eyes and her cold demeanor do most of the acting.
To be fair, she doesn’t have much of a part. The same can be said about
Carpenter regular George “Buck” Flower (Drifter). He does well with
what he has to do, but his part is fairly brief.
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| GORE: |
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Ugly
alien mugs and aliens getting blown away. Fun stuff.
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| T
& A: |
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The
ladies get buff Piper shirtless many times and us dudes, get a nice pair of
tits near the end. What a way to end a movie!
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| DIRECTING: |
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Carpenter
injects lots of mood into this one, using black 'n white and darkly lit
houses to suck us in. But what really impressed me were the fight and the action sequences. The man has learned a lot since
"Escape From New York". Here, the action sequences are well shot, tight and exciting. I also
really dug the way Carpenter got so much out of his limited budget.
Imagination takes you a long way…you go Carp!
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| SOUNDTRACK: |
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Carpenter teams up
with Alan Howarth again and gives us yet another groovy score. It actually
sounds a lot like the “Escape From New York” score but with harmonica
slapped in for good measure.
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| BOTTOM LINE: |
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"They
Live" starts off as a satirical look at the Reagan era with a sci-fi twist
but quickly shifts into hyper-violence, macho bullcrap and dead aliens
mode. It’s not as smart as it should’ve been but it sure is freaking
fun! Sometimes that’s all you need. “Mama don’t like tattletales”. Funny
shite!
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| BULL'S EYE: |
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John
Carpenter wrote the script under the alias “ Frank Armitage”.
The
script was based on Ray Nelson’s short story “Eight O’Clock in The
Morning”.
Roddy
Piper improvised the famous “bubble gum” line.
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