If there’s one thing this 22-minute
short film proved to me was that the man behind the lens known as Jim Mickle,
holds much promise. This beautifully shot on 35 mm short firmly displayed
high skill with Mickle managing to inject the flick with a thick aura of
dread-filled atmosphere throughout. I felt a swaying dose of "Night of the
Living Dead" and Stephen King-esque mood while feasting on the horror
friendly images before me.
The film itself tells the tale of a
town run amuck by a murderous pack of peeved canines. Using the "Jaws"
approach to his baddies, we hardly ever see the house pets in a tizzy
throughout the whole affair-- they’re mostly suggested, not shown. Although I appreciated the film’s restraint in that respect
(mystery is always effective in maximizing suspense), I will say that the
lack of on-screen violence lessened the impact of the overall piece as
well. Seeing what these dogs could
really do would’ve made me fear them to
some degree. Here, I never got close to being neutered by the rabid
beasties and their carnage.
Character-wise, when working within 22
minutes and a somewhat large cast to boot, you don’t have the time to
explore your players as much as you might otherwise. Luckily for us, the acting was
stellar all around and Jim resorted to the ultimate universal theme of
upping the stakes of two particular characters: which was the love a man and a
woman shared. Without having established that early on, I wouldn’t have
felt much towards Jim (Bianco) and Denise (Mercer). Their affection for
each other gave me something to latch onto. Unfortunately, the side characters
suffered badly instead (was that Debbie Rochon?), as I never got to
know or care about them, which therein, lessened some of the
whoop-ass effect that the situation could’ve had on me.
Although I enjoyed
"The Underdogs" while watching it, I firmly believe that the nature of the
storyline would’ve worked better on a feature film canvas. That way the
characters would’ve been fleshed out more, the horror scenarios
could’ve been emphasized upon hardcore and hopefully the violence
would’ve been cranked up a couple of notches. As-is,
apart from a striking atmospheric look, some semi-tension and strong
acting displays, "The Underdogs" never fully capitalized on its “killer
dogs” premise. It succeeded as an accomplished short film, but fell a tad
short as an essay in fear. Get the Kibbles 'n Bits and chew on this!