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The Arrow
V: The Final Battle (1984)
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| Directed by: |
Richard T. Heffron
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| Starring: |
Marc
Singer/Mike |
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Faye
Grant/Julie |
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Jane
Badler/Diana |
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Michael
Ironside/Ham |
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| RATING
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PLOT-CRUNCH:
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Continuing where the 1983 mini-series left off, "V: The Final
Battle" finds our human resistance fighters in the middle of an all-out war
against the invading aliens. These fascist, man-eating lizards are
draining our planet dry hombres and the time has come to turn them into
fashionable belts! V for VICTORY a-holes! VICTORY I SAID! ATTACK!!!!!!
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THE
LOWDOWN: |
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I was a huge
"V" whore when it first
popped up on TV. I followed the original mini-series, The Final Battle and
the TV series religiously. I can’t count how many times I dreamt of
being part of the rebels by taking Donavan’s (Singer) place. I wanted
his coat and Julie’s ass yo! I
also had WAY too many fantasies about luscious Diana (Badler) doing a
number on me with whips, chains and chocolate syrup. Yes, V was a huge
part of my wasted youth and it felt fresh to re-visit that world again.
Where the
original mini-series was a
well done analogy to the Nazi invasion, this mini-series takes a more
“Space Opera” and “shoot 'em up” path. Don’t get me wrong, we
still get the whole “Nazi” parallels: the uniforms, the alien symbol
(that looks like a swastika) or the human “food” processing camps
which echo the gas chambers used by the Nazis. But the more Nazi-inspired
substance that the first mini-series sported is definitely not as
prominent in this one’s storyline.
A note on the human processing camps: They gave me the freaking
heebie-jeebies! Seeing humans being brought in like cattle to then be
turned into “TV Dinners” really unsettled me. I
could never get over the fact that these beings wanted to eat us! Brrrr! End
of note.
"The Final Battle" does give us lots of
bang for our bucks though; it’s driven by enthralling action as our
rebel friends go from location to location attempting to foil the evil
aliens’ plans. And when the pleasant physical happenings weren’t keeping
me glued to my sofa, the powerful drama most certainly was. Mucho double
crossings went down in this petting zoo, spies got pinched, rebels had
secret meetings and went undercover (prompting gripping conflicts),
the Alien allies got into the mix more (they’re called The 5th Column)
and lead characters died while a-hole regulars got their "just desserts"
in spine-chilling ways (Take that Daniel! You fucker!). The series also
showcased a witty and sometimes dark sense of humor and even addressed
themes that are very relevant today like biological warfare and religion
(Diana is NOT hip to The Bible).
Now this Iguana does have its faults.
There are some minor plot holes here and there (like how the guards
decided NOT to wear their bullet poof vests at a high security event) but
they never really hindered my viewing pleasure. What
I didn’t particularly care for was the “abortion” message the film
briefly put out. It sounded like a paid advertisement. I almost expected
Donovan to stand up on a soap box when he claimed “it’s her body,
it’s her choice”. I also didn’t go nuts for the “Julie”
brainwash sequences. I mean, it took seconds to mind-fuck a high brow
journalist, but for some reason it took 2 hardcore sittings to half-ass
brainwash “Einstein” Julie. Is she that freaking smart? Those scenes
felt like fillers to me and only brought redundancy and a lizard sock
puppet to the game. Lastly, although I did groove on the whole cross breed
pregnancy subplot that eventually lead up to the “Star Childs” birth
(the birth sequence still kicks ass), I did almost puke at the tacky way
they used the kid for the finale. Come on, Mr. Screenwriter! You could’ve
thought of a less corny way to end it!
But
"V: The Final Battle" was
still an “Arrow Approved” ride throughout. Some of its weaker aspects
actually made the whole more endearing. I laughed so hard at how Donavan
kept posing like a “male model” every time he stepped onscreen, I
relished the many times where Martin (the Alien ally) would initially
always tell Donovan that he couldn’t help out, to then always have
Donovan persuade him otherwise (hilarious!), and also dug the impressive to cheapo
visual effects which never failed to charm either way, as well as the re-use of
the same “shuttle” footage. This series just couldn’t lose, when
it was on top of its game, it whooped my ass with a shovel and when the
lack of budget showed onscreen, it was still a hoot in a B-movie kind of
way. Long live V! Want to snack on a parrot?
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| ACTING: |
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The cast is huge here and I can’t cover
everybody. So for those actors I don’t mention..props to you too! You
all did a bang-on job!
Marc
Singer (Mike) is like a cross between Kevin Bacon and Mark Hamill. He’s
a tad hammy but his macho posturing and constant posing always put a smile on
my stupid face. He’s "all good" in my book. Faye Grant (Julie) hits all the right notes as the vulnerable
leader. She’s got a sweet ass too! Jane Badler (Diana) is deliciously evil as the Alien temptress, I
devoured every second that she was onscreen. Michael Ironside (Ham) is at his
tough guy best here. Nobody plays rough and tumble better than Ironside.
Robert Englund (Willie) plays the “nice”, lousy schooled in English
lizard very well. This guy is Freddy Krueger!!!! Andrew Pine (Steven) has
this thing about him where he doesn’t look or feel threatening and that
makes him that much scarier. I adored the dude!
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| GORE: |
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It's all about human masks/skin being peeled off to reveal lizard
attributes, birds/mice being eaten alive and a Muppet alien baby. The
lesser visual effects never ruined my enjoyment, although that “force
perspective” lizard was a tad too much. Easy guys…
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| T
& A: |
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We get Faye Grant in a skin tight bodysuit and Jane Badler
always looking yummy in her domineering kind of way. The ladies get buff Marc Singer going shirtless.
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| DIRECTING: |
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Heffron effortlessly
kept the pace of the mini-series moving
at light speed, did a wonderful job at orchestrating and shooting the
action sequences and although I didn’t care too much for the “Julie”
brainwash scenes, he handled the dream sequences like a champ, slapping in
some kool slow motion and lots of “Alien” like atmosphere.
The directing is competent.
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| SOUNDTRACK: |
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The spooky opening credits score rocks! What an eerie tune!
The score for the softer moments is cheesy in a “jazz” kind of way and
there’s also a ditty that sounded a lot like the “Star Trek" theme.
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| DVD
FEATURES: |
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Distributor:
Warner Brothers
IMAGE:
The widescreen (1.85:1) image does the series justice and only displays
grain on minor occasions.
SOUND:
The Dolby Digital 2.0 Mono
was better than I expected. The score and the many sounds (all about the
lasers) never resonated better!
Extras would’ve been nice but
hey...it’s "V: The Final Battle" on DVD, which alone is worth the
purchase!
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| BOTTOM LINE: |
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"V: The Final Battle" still holds up like Hefner on a hefty dose
of Viagra today and every horror/sci-fi buff should give it a shot. The
whole Nazi Germany-like imagery is striking, the set/prop designs are
gnarly (loved the Phasers) and the action is highly entertaining. "V"
has awesome good guys (GO HAM, GO!), "V" has unforgettable villains (DIANA!
EAT ME NOW!), "V" is disturbing, "V" is scary, "V" is funny,
"V" is thought-provoking, "V" is classic. Get the
original mini-series and watch it back to
back with this one, than thank me in the morning with a bottle of Jack and your sister’s friends (I couldn’t ask for your
sister;
that would just be plain rude).
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| BULL'S EYE: |
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This
mini-series was followed by "V: The
Series" which had a 19-episode run until the TV show was cancelled due to
tumbling ratings.
“V”
was the brainchild of Kenneth Johnson, who wrote and directed the original
mini-series. Johnson supervised the writing of the “Final Battle”
script, but left the project shortly thereafter.
Kenneth
Johnson on V: The
Final Battle: In
the original script, Elizabeth the "Star Child" did not exhibit
special powers, resulting in a different fate for some of the characters:
"Our
ending had Diana and Elizabeth escaping in a fighter and going to another
mothership. Martin sacrifices himself by taking the soon-to-be-detonated
mothership into space, while Donovan and Julie escape in another fighter.
They realize that [the defeated Visitors are] taking many Earth people
with them...they go flying up after this second mothership. They just make
it as the doors close...we're left wondering what will happen to Donovan
and Julie as they try to stop Diana, and yet we're given the promise of
Liz being the link between the two races..."
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2002 John
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