I’m not being a (complete) horndog, but a little more of the Scarlet Fever honestly would’ve been the sole redeemable feature of this movie. Screenwriter Howard Himelstein manages to turn Oscar Wilde’s play into a two hour celebration of sleep. Here’s a blurb they can use for the cover: "A GOOD WOMAN is drier than a tumbleweed under a French fry lamp!" The scandalous seduction that drives the plot and characters never happens, so all the audience is left with is hearing a bunch of high society women talk about proper behavior befitting a young lady. This isn’t helped by the fact that neither of the female leads fit well in their roles or in the time period, especially Helen Hunt. Her monologue about the “walls closing in” should result in the Academy taking back her Oscar.
The only part of the flick I found worthwhile was the setting. The Amalfi Coast still looks exactly the same as it did seventy years ago (beautiful), and the location gives the film a much-needed dose of authenticity (and goodness).
Commentary by director Mike Barker and producer Alan Greenspan: That’s right; Alan Greenspan. The former Fed Chairman warns that A GOOD WOMAN could very well destroy the American economy. Okay…it’s not that Greenspan, but that would’ve been much more interesting than the commentary we’re given.
And Trailers for a bunch of period pieces from Lions Gate.