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Director:
Alan Pakula Actors: Robert Redford Dustin Hoffman Jason Robards Rating:
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![]() Critic's 10 Latest |
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What makes ALL THE PRESIDENT’S MEN a classic is threefold: performances, intrigue, and timing. Regarding performances, Robert Redford delivers one of the three best of his career. Alongside BUTCH CASSIDY AND THE SUNDANCE KID and THE STING, ALL THE PRESIDENT’S MEN is the best that we’ve ever seen from Redford. He’s charming, serious, intense, and delivers one of the most natural representations of a journalist caught on film. What makes this performance even more astounding is that he never planned on playing the role because he was only interested in producing this movie.
Despite that I am typically not a Dustin Hoffman fan, I make an exception for this movie. His manic style fits perfect in the film because it acts in perfect juxtaposition to Redford’s calm and cool Woodward. Hoffman gives much needed comic relief as well as a ballsy crowd-pleasing attitude. Hoffman is a wonderful yang to Redford’s ying.
The other performances worth applauding are those of Hal Holbrook and Jason Robards. Holbrook doesn’t have a lot of flash to give but just by lurking in the shadows as Deep Throat adds mystery and intrigue. Meanwhile, Robards portrayal of Ben Bradlee brings a mix of seniority and integrity. He plays a phenomenal devil’s advocate that ensures the journalistic integrity of this story. These two top notch actors challenge Redford and Hoffman on multiple occasions and make for great foils when the actual villains are left out of the story.
In regards to intrigue, ALL THE PRESIDENT’S MEN is filled to the brim with it. As these two sleuths attempt to deduce what they’re onto, the spectre of arrest always looms in the background. Especially for those students of history who don’t know all of the details of Watergate, ALL THE PRESIDENT’S MEN spins a web similar to that of INCEPTION. The rapid-fire delivery of names makes following the storyline a puzzle that might take several viewings (or a good bit of research) necessary.
Finally, the timing of this film is impeccable. Just two years after Nixon resigned, all of the characters here were fresh in the public eye. Redford and company struck while the iron was still hot and delivered a movie emblematic of it’s time. This happens maybe once or twice during a decade, and ALL THE PRESIDENT’S MEN is my candidate for the 1970s.









