Trust is a difficult issue to conquer in this day and age, especially when it comes to relationships. Monogamy seems to be a thing of the past (and it ainít gonna get any better when so called cult phenomenonís like the TWILIGHT series preach that itís okay to love and be with two people at the same time) so itís no wonder men and women have trust issues when some people are working on their third or fourth marriages. CHLOE serves up a storyline that just about anyone can relate to as weíve all no doubt gotten jealous or maybe suspected our significant other of cheating. I donít blame Julianne Mooreís character for thinking it, I mean the signs are all there but then again, the signs are always going to be there if weíre insecure enough to be looking for them which of course, she was.
The cast is magnificent and though both Julianne Moore and Liam Neeson both look great for their age, hatís off to Moore for going naked (and still looking good). The angle played is a little different from similar attempts such as SWIMFAN and OBSESSED but thatís the neighbourhood weíre egging this time around. I loved the womanís perspective on things and felt Amanda Seyfriedís character was genuine in what she was doing but found myself questioning her drive. The trailer lets us know the situation, that Mooreís paying Chloe to find out if her husbandís messing around, but at no point does this film actually acknowledge that Chloe is indeed a prostitute or call girl. Sure itís implied but as Chloeís opening monologue would suggest, she just seems a bit too smart for that line of work.
CHLOE is a darker spin on our more primitive hungers and emotions while playing up on our weaknesses as people and as lovers. Itís also a fresher spin on an old tale but at the same time isnít without its fair share of contradictions. I said Chloe appeared smart but her questionable actions imply otherwise. The end result is about what you would expect here but I didnít buy the ending as the filmís last scenes (and decisions) were just so out character. This flick is worth the watch to be sure (Iím always up for a nice girl on girl sex scene) and in case you were wondering, yes, Amanda Seyfried DOES have a nice rack.
Introducing Chloe: The Making of Chloe: The cast and production team explore the idea of opening Pandoraís Box as it pertains to the film; the irony being that no possible good could come from the decisions made by our protagonist yet therein is the magic.
Deleted Scenes: Details are crucial in films such as these (case in point, why does the son have such a hate on for his mother). These five minutes of scenes brought added clarity to the film and should have stayed in.
Previews: There is a theatrical trailer as well as a handful of other previews.
Extra Tidbit: I've always wondered why Moore didn't stick with the original ending for HANNIBAL, seeing as how she's so open to nudity.