As previously stated, the performances here are what make the film a true classic. The late, legendary actorís actor Jack Lemmon manages to outshine even Monroe, showing that there was no limit to his genius. His work here is both real and inspired; just what makes a comedic performance great. Curtis is also in fine form when he dons the female garb, though loses some of his luster whenever he goes back to being a man. (That Cary Grant accent might have been a hoot back in the day, not anymore!) And though Monroe does serve well as the filmís eye candy, letís just say that funny wasnít exactly her strong suit. Even the small roles stand out; Joe E. Brown almost steals the show as Osgood Fielding III. (What a name!) I understand that my humble review will have little significance to those who adore this film Ė to them itís a classic, with great stars, great laughs, and great fun. But for those first experiencing it, try to get past the rather vaudevillian feel of the picture Ė itís the performances that give SOME LIKE IT HOT its eternal flame.
Commentary (with Paul Diamond Ė son of co-writer I.A.L Diamond, Lowell Ganz & Babaloo Mandel with interview sounds from both Tony Curtis and Jack Lemmon): With so much going on in this commentary, it could have easily been another too-many-in-the-room disaster tracks. Instead we get a very easy to follow and thoroughly interesting track with everything you ever wanted to know about the film. The creators of this one, who have edited in comments from both Curtis and Lemmon have really done one outstanding job. Curtis is candid as always, Lemmon is insightful and both come clean about working with Marilyn. (Need more stuff like that on todayís politically correct commentary tracks!) On the flip side, Diamond, along with screenwriting duo Ganz and Mandel are both insightful and funny, making watching the film with them a joy, not a pain. This one is good for both fans and non-fans alike, nice job!
The Making Of Some Like It Hot (25:44): A thorough making of with most of the players involved, including late great Lemmon, Curtis and Wilder. (An impressive feat, considering most of the key players are no longer with us!) They all dish tons of dirt, from doing a film about guys in drag, to the exploits of Marilyn. (She had a problem saying the bourbon line and broke down!) Hell, this one even has on set footage, a real rare treat especially from a film that was made way back in 1959!
The Legacy Of Some Like It Hot (20:21): Again, more great original stuff, with talk about how the film was received back in the day. Loved hearing about the missing scene that Wilder cut out to make the film less racy! (Would have just been damn funny if you ask me!) Plus this one has a tour of the studio where it was conceived and shot by none other thenÖL.A. CONFIDENTIAL director Curtis Hanson, score!
Nostalgic Look Back Documentary (31:13): Despite the fact that the interview is being conducted by professional ass-kisser Leonard Maltin, this interview with Curtis is very cool. And even though we have heard some of it in the previous commentary and min-docs, itís good to see.
Memories From The Sweet Sues Featurette (12:03): A look back at the film through the eyes of four actresses of the all-girl jazz band in the film. Some fun stories, if a bit fluffy, but a treat for fans. (Although that Betty the saxophone player is giving off some weird looks during the interviews!)
There is also an Original Pressbook Gallery, which features the many ads taken out for promotion of the film and a really cool Virtual Hall Of Memories, where you can go down a hall, stop on a picture of Monroe, Curtis, Lemmon, Director Wilder, or even behind the scenes and prestoÖit comes to life with images, super cool. Plus thereís an Original Theatrical Trailer, as well as Previews for THE PRINCESS BRIDE and WEST SIDE STORY.