JoBlo
11-25-2001, 04:24 AM
GROSSE POINTE BLANK (1997)
Director: George Armitage
Starring: John Cusack, Minnie Driver, Dan Aykroyd
This is another one of those movies that didn't necessarily do much for me the first time that I saw it, but seems to have aged quite well. I enjoyed the flick this time around, appreciated the black comedy, especially the dialogue, which was very quick, dry and snippy (not your cookie-cutter humor here), was impressed with the film's ability to balance two extremely different story lines at the same time (a hitman going through his "mid-life" crisis and a dude trying to win his old girlfriend back) and loved the soundtrack!
Yes, the songs in this movie kicked a lot of ass, especially for a bastard child of the 80s like myself. Of course, being that Cusack and his buddies wrote, produced and pretty much starred in this film (here's a game for you...try and guess how many Cusack's show up in the film's end credits?), you didn't expect it to be filled with Duran Duran songs though...as The Clash, the Violent Femmes, The Cure, G&R and many other "cool" bands spray their tunes across this puppy. But they also slapped a few nostalgic babies in there as well during the high school reunion scenes, including one of my all-time "guilty pleasure" favorites: 99 LUFTBALOONS, baby!
But enough about the songs. I also liked much of the interaction between the characters in this film, especially Cusack and his shrink (Arkin) and Cusack and his nemesis, Dan Aykroyd (who wasn't as annoying as he usually is here). You also gotta admire the movie for pulling off some pretty fun shoot-out scenes (and the nod to PULP FICTION was a classy move!), and the one extremely authentic fight sequence between Cusack and one of his enemies. I also think that they did a great job in portraying the extreme akwardness of a high-school reunion. Really well played.
What didn't I like? Well, not much really, but I've never really been a Minnie Driver fan, and I'm not sure if those two government agents were needed really. Also, I too still had some trouble with some of the dialogue because a lot of it seemed to be delivered in a very machine-gun-like fashion...and I didn't "buy" Cusack as a killer early on, but grew to believe it...
But those are all little quirks in a film that doesn't aim for the norm and achieves much of its goal. See it if you're looking for an unusual type of black comedy, if you like John Cusack (and sister Joannie!) and if you love those cool 80s underground tunes. Oh yeah, and the film also provided me with another one of my favorite lines of the year...
"So how's your life?"
"In progress."
Director: George Armitage
Starring: John Cusack, Minnie Driver, Dan Aykroyd
This is another one of those movies that didn't necessarily do much for me the first time that I saw it, but seems to have aged quite well. I enjoyed the flick this time around, appreciated the black comedy, especially the dialogue, which was very quick, dry and snippy (not your cookie-cutter humor here), was impressed with the film's ability to balance two extremely different story lines at the same time (a hitman going through his "mid-life" crisis and a dude trying to win his old girlfriend back) and loved the soundtrack!
Yes, the songs in this movie kicked a lot of ass, especially for a bastard child of the 80s like myself. Of course, being that Cusack and his buddies wrote, produced and pretty much starred in this film (here's a game for you...try and guess how many Cusack's show up in the film's end credits?), you didn't expect it to be filled with Duran Duran songs though...as The Clash, the Violent Femmes, The Cure, G&R and many other "cool" bands spray their tunes across this puppy. But they also slapped a few nostalgic babies in there as well during the high school reunion scenes, including one of my all-time "guilty pleasure" favorites: 99 LUFTBALOONS, baby!
But enough about the songs. I also liked much of the interaction between the characters in this film, especially Cusack and his shrink (Arkin) and Cusack and his nemesis, Dan Aykroyd (who wasn't as annoying as he usually is here). You also gotta admire the movie for pulling off some pretty fun shoot-out scenes (and the nod to PULP FICTION was a classy move!), and the one extremely authentic fight sequence between Cusack and one of his enemies. I also think that they did a great job in portraying the extreme akwardness of a high-school reunion. Really well played.
What didn't I like? Well, not much really, but I've never really been a Minnie Driver fan, and I'm not sure if those two government agents were needed really. Also, I too still had some trouble with some of the dialogue because a lot of it seemed to be delivered in a very machine-gun-like fashion...and I didn't "buy" Cusack as a killer early on, but grew to believe it...
But those are all little quirks in a film that doesn't aim for the norm and achieves much of its goal. See it if you're looking for an unusual type of black comedy, if you like John Cusack (and sister Joannie!) and if you love those cool 80s underground tunes. Oh yeah, and the film also provided me with another one of my favorite lines of the year...
"So how's your life?"
"In progress."