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View Full Version : ANOTHER WOMAN (9/10) *** 1/2 out of ****


A.J. Hakari
06-19-2002, 02:28 PM
Taking a sabbatical from work to write a book, college professor Marion Post (Gena Rowlands) rents a downtown office to work in peace. But through a vent in her office, she can hear the conversations held by a psychiatrist and his patients in the room next to hers. One such voice that she listens in on is that of a pregnant woman (Mia Farrow) who is confused about her own life. This spurns Marion to investigate her own life, her marriage, her social life, and how she's managed to shield her emotions from the rest of the world.

You'd never guess from the story of ANOTHER WOMAN that it's written and directed by Woody Allen, who did this film almost ten years after his first dramatic work, INTERIORS, and a year after he released SEPTEMBER. ANOTHER WOMAN is an intense drama about how poorly we see ourselves. Only through hearing the sad confessions of Farrow's character can Marion realize the frightening parallels to her own life and see the path she's taken. Woody Allen has crafted a great film based upon the interactions of these characters and what happens when they learn that their own lives aren't so rosy.

The performances are excellent across the board. Rowlands, though her constant narration gets old once in a while, is marvelous as Marion. Allen's then-squeeze Farrow is heartwrenching as the patient through which Marion gets the gumption to take a look at herself. The supporting cast includes solid performances from Ian Holm as Marion's husband, Gene Hackman as a family friend who wishes Marion would fall in love with him, and the late John Houseman, in his last performance, as Marion's father.

Allen proves with ANOTHER WOMAN that he does just as well with drama as he does with comedy. While not flawless, the film's ideas are accurate in how they express the cold, harsh reality of life.

Fergus
06-19-2002, 05:30 PM
I believe Another Woman to be the most underrated of the Woody Allen films I have seen. Woody once again pays tribute to the Swedish director he has adored for decades, Ingmar Bergman. The cold characters, slightly depressing story is as great a tribute to the famed director as any other. Other dramatic works by Allen, such as Interiors, Crimes and Misdemeanors, and September were also dramatic tributes in a way.

I had taped the film off TCM at the end of May, and watched it. It was cold, depressing at times, as Gena Rowlands was discovering who she really was, provoked by Mia Farrows character, whom Rowlands hears talking to a psychiatrist(?) through the air vent. Robert Osborne from TCM commented on Woody's fascination of people eavesdropping on others conversations, and why he decided to do a film on the subject. It was quite an interesting tid bit I thought.

Seeing Gene Hackman in the film was a little surprising. And it was quite sad when Rowlands realized she should have gone with Hackman instead of marrying Holm. I would also like to add that the film NEVER, and I mean never resorts to "mushy sentimentality". I'm glad he did that or else this film would have turned into one of those "roll your eyes" dramas--for me anyway. I respect Woody's choice to keep it realistic, and it made the film really soar in my eyes. The man has talent, and he is definitely one of my favorite directors.

BTW, really good review Adam.

(****1/2) out of five or (9/10)