James Logan
01-14-2005, 10:43 AM
I don't mean for his sake -- I mean for ours. :)
Hear me out on this one. I'm a Woody Allen fan (I'm French...guess what? I love Jerry Lewis, too! ;)), but I have to admit, like most fans, that lately, his movies haven't been as great as they used to. Better than average in many cases, but not great.
I used to think it was because of his imposed "one movie a year" rythm, and perhaps that does play a part in it. But yesterday I read an interview of the man in a French magazine, where he mentioned that he hasn't been in therapy for the past 8 years. And it got me thinking.
Woody's last great movie, at least in my opinion, is DECONSTRUCTING HARRY. And he made that just 8 years ago. Since then, he's done the good SWEET LOWDOWN and SMALL TIME CROOKS, and the just decent CELEBRITY, CURSE OF A JADE SCORPION, ANYTHING ELSE and HOLLYWOOD ENDING. And now MELINDA AND MELINDA is out, and apparently it's nice, but far from inspired.
Before stopping therapy, though, our friend Woody had made the aforementioned DECONSTRUCTING HARRY, which came after the also terrific BULLETS OVER BROADWAY, MANHATTAN MURDER MYSTERY, HUSBANDS AND WIVES, THE PURPLE ROSE OF CAIRO, ANNIE HALL, HANNAH AND HER SISTERS, EVERYTHING YOU ALWAYS WANTED TO KNOW..., and SLEEPERS, and the list just includes my personal favorites.
So here's what I'm wondering about:
Has Woody Allen gotten more average because being a nutjob in therapy actually helped his work?
Or because of his one movie a year rythm?
Or because he's now "happily married", when he was formerly involved in tumultuous relationships with Diane Keaton and Mia Farrow?
Or has Woody Allen always sucked? (that's for you, Americans! ;) )
Or is he just passed his prime?
All this bringing me to another question, more general this one: when you're creating, can you still be as good and interesting and provoking when you yourself are happy in your private life, or does something need to be wrong for a creator to create his best work?
Knock yourselves out. :)
Hear me out on this one. I'm a Woody Allen fan (I'm French...guess what? I love Jerry Lewis, too! ;)), but I have to admit, like most fans, that lately, his movies haven't been as great as they used to. Better than average in many cases, but not great.
I used to think it was because of his imposed "one movie a year" rythm, and perhaps that does play a part in it. But yesterday I read an interview of the man in a French magazine, where he mentioned that he hasn't been in therapy for the past 8 years. And it got me thinking.
Woody's last great movie, at least in my opinion, is DECONSTRUCTING HARRY. And he made that just 8 years ago. Since then, he's done the good SWEET LOWDOWN and SMALL TIME CROOKS, and the just decent CELEBRITY, CURSE OF A JADE SCORPION, ANYTHING ELSE and HOLLYWOOD ENDING. And now MELINDA AND MELINDA is out, and apparently it's nice, but far from inspired.
Before stopping therapy, though, our friend Woody had made the aforementioned DECONSTRUCTING HARRY, which came after the also terrific BULLETS OVER BROADWAY, MANHATTAN MURDER MYSTERY, HUSBANDS AND WIVES, THE PURPLE ROSE OF CAIRO, ANNIE HALL, HANNAH AND HER SISTERS, EVERYTHING YOU ALWAYS WANTED TO KNOW..., and SLEEPERS, and the list just includes my personal favorites.
So here's what I'm wondering about:
Has Woody Allen gotten more average because being a nutjob in therapy actually helped his work?
Or because of his one movie a year rythm?
Or because he's now "happily married", when he was formerly involved in tumultuous relationships with Diane Keaton and Mia Farrow?
Or has Woody Allen always sucked? (that's for you, Americans! ;) )
Or is he just passed his prime?
All this bringing me to another question, more general this one: when you're creating, can you still be as good and interesting and provoking when you yourself are happy in your private life, or does something need to be wrong for a creator to create his best work?
Knock yourselves out. :)