#1  
Old 12-18-2010, 05:38 PM
The Fighter



(David O. Russell, 2010)

For a year many consider to be a mediocre one for movies, 2010 has certainly been a great year for auteurs. These past 12 months have seen releases from some of the best directors working today, many of which haven’t released a new film in quite some time: from Martin Scorsese and Roman Polanski to Tim Burton, Noah Baumbach, Christopher Nolan, Oliver Stone, David Fincher, Clint Eastwood, Darren Aronofsky, Danny Boyle, Sofia Coppola, The Coen Brothers – and David O. Russell, one of the best directors to emerge from the American independent film scene in the 90’s, and someone who hasn’t released a new film since 2004’s I Heart Huckabees. Like many of his contemporaries, Russell has undergone a change over the last few years: a shift from quirky indie filmmaking to more mainstream fare, while still retaining that indie touch. The Fighter, his latest work, is an indie film disguised as a mainstream crowd-pleaser. And it features elements from both worlds, for better or worse.

I’ll start from the worse: After Rocky, Raging Bull, Ali, Million Dollar Baby, Cinderella man, and many others, one begins to wonder how many more boxing movies we really need in the world, and what a new one can bring to the table. Indeed, watching The Fighter, one can’t help but wonder what the film can do to renew the genre and bring something new to the table. Unfortunately, the answer is “nothing much”. The script is a pretty conventional rags-to-riches story, whose most interesting element is the relationship between Micky Ward and his brother, Dickie Eklund. Luckily, Russell and company recognized that this was the strongest aspect of what is otherwise a good but ordinary and somewhat flawed script, with some problems with flat characterizations and unnatural-sounding dialogue. However, everyone involved in the film tries their best to transcend the script, and for the most part, they succeed.

Russell’s direction is absolutely fantastic. His use of the camera – which still has that indie looseness, free-moving and handheld and gritty quality to it, which really adds to the atmosphere and energy the film tries to capture. His staging of scenes is fantastic and he usually just lets his actors riff off of one another, sometimes sticking to the script but sometimes talking over one another, interrupting, and creating a very dynamic back-and-forth that further lends to the realistic quality of the film and its setting. A fantastic rock-oriented soundtrack only adds to this energy and atmosphere. In terms of bringing something new to the table of boxing movies, Russell employs a very interesting technique of filming the boxing scenes as they were shown on HBO pay-per-view TV in the 90’s; cheap video quality, multi-camera set-ups, the whole package. The boxing scenes were all shot over 3 days, which left the crew just enough time to run through one boxing match at a time and just shooting it as if it were an actual match, the cameras capturing everything, including mistakes and mess-ups and spontaneous, uncontrolled occurrences which yet again add to the very loose and realistic style the film attempts to capture. It is a very interesting and unique technique I have not seen used before, and I thought it was a fresh approach to boxing scenes, which have become very conventional ever since Raging Bull.

Ultimately, though, this is a movie about two brothers and their overcoming demons and obstacles in order to succeed and reach their mutual goal, together. Being a character-based film, the success of the acting is a key to the success of the film, and luckily, it is in this field that the film succeeds the most. Mark Wahlberg is adequate in the lead role of Micky Ward. I have never thought much of him as an actor and think that he did an “okay” job on this film; not bad but not particularly noteworthy. However, his supporting cast all shine, and his chemistry with them, especially with Christian Bale, is really what sells the movie for me. Bale’s achievement is nothing short of revolutionary. He completely steals the show as Micky’s crack-addicted older brother and trainer, a former boxer himself, and a shadow of his old self, except he can still throw one hell of a punch and knows just what Micky needs to do in order to succeed. Bale completely embodies the role and really gives it his all – both in his appearance (hollow cheeks, bulgy eyes, balding) but also in his bravura performance. It is an incredible feat of acting, one of the best I have seen all year; Bale’s best work as an actor yet, and totally deserving of all the accolades it will inevitably receive. Also worth mentioning though are the two main female supporting roles, namely Amy Adams as the tough and sassy but supportive girlfriend, and Melissa Leo as the overbearing mother. Both actresses are very much out of their comfort zone, which is just what makes their performances so good. Adams, who has never really shown her tough side like she does in this film, does a spectacular job, and really creates someone human and relatable out of what is otherwise an underwritten character. The same goes for Melissa Leo: her character could have gone the completely one-dimensional villainous way, but Leo adds a certain humanity to the character which just makes her seem more sad than vicious.

Ultimately, The Fighter tells a pretty conventional story in an interesting and not necessarily conventional way. It is a film that could have been over-dramatized and heavy-handed had it been put in another director’s hands (see Cinderella Man for an example of over-dramatization), but Russell and his cast reign it in and set out to create a very specific atmosphere and set a particular mood that lends the film a sense of realism and a very unique dynamic energy that, with the help of the fantastic performances from the cast, help carry it above and beyond its conventional script.

RATING: 8/10.
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  #2  
Old 12-23-2010, 06:23 AM
I have a soft spot for sports movies, and I loved watching this one the whole way through. You can't go wrong with the (true) story of a boxer struggling to choose between family who's dysfunctional and those who can probably take him to the top of the boxing world. Mark Wahlberg is great as the conflicted boxer who's starting to tire of his drug addicted brother who trains him, when he shows up to do so and his mother manager. His new girlfriend, his father, and others want him to go in a new direction. The entire cast was great in portraying the people in and around this boxer's life: his family - including his oh-so-many sisters, his girlfriend, his manager, but everybody - including Mark Wahlberg - take a backseat to Christian Bale as the former boxer turned drug addicted trainer/brother to the title character. I think the movie is more about the relationship between the two brothers than it is to the Fighter's rise to the top. The relationship drives the movie more than anything else and it is because of Bale's awesome performance and Wahlberg's turn as the title character. The boxing matches are fun to watch and cheer for, particularly at the end, and there was even a nice little girl brawl scene that had the awesomely beautifuly Amy Adams show what she's made of. This is a great boxing movie propelled by great performances.

8/10
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