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RENAISSANCE
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Reviewed by: Ryan Doom

Directed by: Christian Volckman

Starring:
Daniel Craig
Jonthan Pryce
Ian Holm

Movie:  
star star star star
Extras:  
star star star star
Overall:  
star star star star
What's it about
After the kidnapping of a young woman, your typical tough guy cop becomes lured into the underground to find her, and walk through a lot of great looking scenes.
Is it good movie?
Sorta. It depends on what you’re looking for. Renaissance splits its viewers into two categories: one: fans who yearn for visuals; two: fans who require a story to accompany those great effects. Now for the former, this film is tremendous. If the look and style of Sin City or Blade Runner is what you’ve been waiting to see, Renaissance has it. It’s shot in beautiful black and white animation, truly a comic book come to life. Of course, fan boys have heard that term before with Sin City, where the combination of real actors and animation seemed truly breathtaking, and took the audience to a place seldom seen. Renaissance attempts to duplicate the work, and if they didn’t mean to, it sure looks like it. Director Christian Volckman once again used real actors, doing motion capture and then animating the actors much like in A Scanner Darkly. Like that film, I was once again blown away by the sure look, and even if the end result didn’t pan out like I had hoped, Renaissance scores points for doing something different. I can only hope that more filmmakers create adult comic films (not smut now) that give off a feeling of wonder that all movie goers, especially fans of sci-fi, yearn for. But one thing future films must avoid is falling somewhere in-between, which fans of the former should be aware of. Renaissance feels much like an extended video game, though I didn’t see a controller in the DVD case. While it looks great, the pacing and lumbering dialogue isn’t, and neither is the story. Perhaps that’s where the video game feel emerged. They usually have stories good enough to pull you in, but if you’re not doing the shooting or the searching, then you’re searching for the remote.

The film, a French import, attracted some great vocal talent. It stars Daniel Craig, Jonathan Pryce, and Ian Holm, all who breathe life into the tale. But it really doesn’t matter who added the voices, because the animation, the visual appeal of the piece, is the true star. At times, however, Renaissance simply tries too hard to impress with effects. Where a film like Blade Runner had wondrous effects, they remained as back drop, not the focal point. Here, the film thrusts them to the front as if to say, “Look at me!!” Well, I looked, but I still didn’t find an intriguing story to hold my attention for 105 minutes.
Video / Audio
Video: 235.1 Widescreen - Enhanced for 16x9 TV's and looks great too!

Audio: 5.1 Dolby Digital
The Extras
The Making of Renaissance: A 30 minute making of feature, if you didn't get that from the title. This is the type of film that needs a detailed looked at the process, and it doesn't disappoint. Good stuff. No commentary, however.
Last Call
I wanted to love this the moment I saw the case. I loved the idea, I loved the premise, but all the love in the world can't make up for a less than engaging story and bad pacing. A great try, worthy of checking out.
ARROW IN THE HEAD'S RATING SYSTEM
star star star star I'D BUTCHER MY FAMILY TO SEE THIS AGAIN
star star star HANG ME BUT I DUG IT A LOT
star star AN OK WAY TO KILL TWO HOURS
star JUST SLING AN ARROW IN MY HEAD AND LET ME DIE IN PEACE

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