PLOT: In the year 2199, the Earth is on its last legs after a campaign of terror and destruction waged by a alien force called the Gamilas. Humanityís only hope lies with the crew of Space Battleship Yamato- which is sent on a final, desperate mission to the Gamilla home world at the other end of the Galaxy.
REVIEW: SPACE BATTLESHIP YAMATO is positive proof that idiotic tentpole movies arenít solely the domain of the US. Based on a popular animť that many say influenced STAR WARS (I dunno- possibly), SPACE BATTLESHIP YAMATO is pretty big-budget for Japan, boasting a $20 million plus budget (miniscule by Western standards)- but all the money obviously went into eye candy, and none into the script.
As a result, we have this bloated space opera that makes it look like this summerís BATTLESHIP look like it was written by Aaron Sorkin- thatís how dumb YAMATO is. We start right in the middle of a huge, bombastic space battle, with CGI that looks straight out of a sci-fi original movie, despite the budget. While the seventies YAMATO may have influenced STAR WARS, this is in turn heavily influenced by the recent BATTLESTAR: GALACTICA TV series, with the production design seemingly having been lifted from it wholesale, along with the characterizations of the hot-head fighter pilots, with- you guessed it, unresolved romantic tensions between the tough chick ace pilot, and her squadron leader. The only surprise is that they somehow managed to avoid making the protagonist, a moody rebel named Kodai (played by Japanese heartthrob Takuya Kimura) the older ship captainís son- but maybe that would have been too transparent.
Suffice to say, I thought SPACE BATTLESHIP YAMATO was a pretty idiotic space adventure, but Iíll be the first to admit that Iím not really the target audience, which seems to be thirteen year-old Japanese boys. That said, I like my goofy Japanese blockbusters, including YAMATO director Takashi Yamazakiís earlier RETURNER- which was a shameless MATRIX rip-off, but fun. Too bad YAMATO wasnít fun, but itís so melodramatic towards the end that the only possible level it could succeed on is as unintentional comedy. The conclusion is so overwrought that itís no surprise the filmmakers brought in Steven Tyler to write a ballad, as what other way could it have ended at the point? Heck- the last ten minutes of the film would probably even have Jerry Bruckheimer thinking it was too much.
Too much. Those two words actually perfectly sum up SPACE BATTLESHIP YAMATO. Itís too log (130 minutes, but it feels like twice as long), thereís too much melodrama, too many incidental characters we donít care about, too much lame CGI action, etc. Itís all just too damn much.