INT: JK Simmons
One of my only complaints on visiting the set of EXTRACT is that I didnt get to see a couple of actors work that were on the set. One was the lovely Mila Kunis and the other was the great J.K. Simmons. The man is easily one of the best character actors around. He stole every scene he was in as Jameson in the SPIDER-MAN franchise. He also did the same in the latest Coen Brothers comedy, BURN AFTER READING. Since his excellent work in the series Oz, he has become the go to guy for many a filmmaker. This includes his recent work on the series The Closer. And soon, hell be appearing in JENNIFERS BODY with several other projects in his future.
While he was waiting for his call time which had been delayed, I got a chance to hang with the man in his trailer. He showed me his television which only had a VHS player. He didnt seem to have any of the latest VHS releases around. This lead to my conclusion that J.K. is extremely funny. But more importantly, he is one of the easiest guys to talk to. We talked family. We talked Mike Judge. We talked The Coen Brothers. It was nice to kind of step back into his career all the way back to Oz. I have a great deal of respect for this guy, and more so now, simply because of the fact that he really is just a regular guy. He also happens to be one hell of an actor.
Its pretty cool.
What do you look for when choosing a role? You seem to work all the time with some incredible people.
You know, honestly, the two first things I look for is does it shoot in L.A., cause I got kids and I dont like to travel. So that was the first good news. And then I just read the script. And then, if its a comedy that makes me laugh, you know and it shoots in L.A., Im there. And then, you know, Ive been aware of Mike obviously since Beavis and Butthead, OFFICE SPACE and all that stuff. Its not like I have this list of directors or writers Im dying to work with. Im just, you know, whatever moves me and whatever makes me laugh. And the good thing about this script, and I think Mikes stuff in general, hes got a unique vernacular thats really funny but really grounded in reality. And in a different way, you know, Joel and Ethan Coen have the same thing. Its a very different sensibility but to me that is what you look for. And you see the cast that theyre putting together and it just got more and more appealing, and here we are. Im actually cramming this in the week before the reason were here on a Saturday is because I had to schedule around my T.V. show [The Closer] which we are shooting right now. They were nice enough to let me out for a certain number of days per episode, but the best way for them to work it was to shoot on a couple of Saturdays.
You like doing T.V.?
Yeah, yeah, I love doing T.V. I mean, its a totally different vibe and pace. You know, you dont have to sit around in your trailer as long [Laughing] at least not usually. And obviously you have the good news, bad news about doing a series regular. You really get to know the character that youre playing and youre playing the same guy all the time. You get to have a real thru-line with the character. That can get tedious I think, for a lot of people. But on our show, because we have good writers, and because we are only doing fifteen a year instead of twenty-two or twenty-four I mean, Ive had friends on hour shows that just hate their lives. You know, its just work, work, work, work, work, and its the same everyday. So Im really lucky on our show, I play a supporting part, I work like two or three days a week. The writing is good. More time with family, more time to do movies.
And you have a whole lot of movies lately.
Ive been like the king of comedy for the last year Ive been shooting one comedy after another. A lot of good stuff. A lot of different directors and writers. Ive been playing a lot of dads of course, ever since JUNO [Laughing]. Ive now gotten to the point where Im playing Paul Rudds dad who I think is fifty. Its a film called I LOVE YOU MAN. John Hamburg, Jason Segel and Rashida Jones great cast. And Jane Curtin plays my wife.
Nice I love Jane Curtin.
Now lets talk a little about your character here in EXTRACT.
My guy is Brian. He was Joels [Jason Bateman] partner/second in command at this factory. Just a sort of, middle management guy, you know. He comes in, does his job and has nothing but disdain for all the people that work for him.
Sounds like a few bosses Ive known way back when [Laughing].
Exactly [Laughing]. He tries to have a sense of humor about it. But if he won a million dollars in the lottery he would quit the job tomorrow.
Sadly, I think that is at least 80% of America.
That is what I think Mike Judge connects with. Who doesnt watch OFFICE SPACE and say, Ah if only!?
Yeah. Exactly. Hes a working class guy from the real world and I think that resonates with, like you said, 80% of the country. But I also think that one of the things that Mike is really successful at, and I dont think it is something he sets out to do to appeal to demographics, its just who he is. I think his appeal is across the board. I mean, a lot of things either work in Peoria, you know, in all the flyover states, or they work on the coasts. And I think his humor, really as much as anybodys that I can think of, really appeals across the board. Because its smart, but its real and in the best sense of the word, its common. It appeals to the common people.
Well as I was watching the what they were filming, I kept thinking that this is what most people have to go through on some level. But he doesnt dumb it down, hes not making fun of them.
And a lot of comedies like this tend to make fun of the people they are portraying.
Yeah, its a fun line to be, you know, as an actor and watching the other characters too. Because the characters are somewhat broad, like you said, they dont dumb them down, they are not caricatures and they are not stereotypes. They are just well you know what, I was just going to say they are much bigger than real life but then, I dont know real life is pretty big so [Laughing].
Speaking of real characters, one character I loved of yours and I have to bring it up is BURN AFTER READING.
I havent seen it.
You havent seen it?
I know, its ridiculous.
Well there was no premiere. And then my agent sent me a list of this screening and that screening, and it was like you know, with kids and school and buying and selling a house and Im working two jobs My wife and I, it was, Oh, can you go this night?, No, we cant get a babysitter. Finally she goes and sees it with her mom. And I still havent seen it.
Oh man, I loved your performance in it.
Oh thank you! Well I had auditioned for a couple of different parts in that. And Joel and Ethan are so specific about casting. And when I read the script, I just thought, this may be the funniest thing Ive read on paper. Certainly that Ive read in a long time. And I just wanted to do anything.
It was cool to see NO COUNTRY FOR OLD MEN and then BURN AFTER READING the next year
Yeah, and with BURN AFTER READING, it is sort of back into FARGO land, you know, the wacky side. I also thought that I mean No Country and Burn After Reading are sort of the two ends of the Coen style. But I also thought that No Country was hilarious. You know, in a dark way, where he is strangling the guy and his heels are making all those marks on the floor. I mean, that was f*cked up. That was funny in a really messed up way. All of it, you know, the coin flipping stuff with the guy in the gas station. Great actor. And youre scared that whole time but its funny as hell.
I think people sometimes forget how important casting really is. It really helps make the Coen Brothers films work.
Oh yeah and they are really OCD about casting. I mean, I went in I want to say five at least four times for THE LADYKILLERS. Which is the first one I did with them. And Ive had a few auditions for OH BROTHER WHERE ART THOU?, for a couple of really fun little parts in that. And then ultimately the part that they were interested in me for was the one part that I didnt really want to do. Because it was this racist, white-supremacist guy, and I was doing Oz at the time and I just didnt want to be the racist white guy for the rest of my life. So I didnt get hired for that. But then when THE LADYKILLERS came along the same thing with BURN AFTER READING, they basically wanted this character to be like a seventy-five year old guy. They wanted him to be Donald Rumsfeld, only a little older. But I was basically doing what I wanted done with it so finally they said, alright, screw it.
I remember when Oz was on and I just remember how f*cked up your character was. Was that hard to live that character down?
It was. And that was my first I was basically a theatre actor for all those years. I was making no money and doing Shakespeare and musicals and whatever. And then I did a guest spot on Homicide, the [Tom] Fontana show as a, you know, white-supremacist, bastard, murderer guy. And then a few months later, theyre casting Oz. And I basically went into the meeting with Tom, with like, no resume except theatre. It was totally from hunger. And I was almost talking my way out of the part because I was really concerned, because I didnt want to be perceived as the neo-Nazi bastard for the rest of my career. And Tom fed me this line of bullshit about how this character was gonna start out, you know, you think hes a good guy and then down the road were going to find out what an evil son of a bitch he is. So, you know, its gonna be a great opportunity to really pull the wool over peoples eyes to play different things. And of course, down the road turned out to be like, twenty minutes into the first episode [Laughing]. I got like one scene where Im a nice guy and then the next time Im tattooing this guys ass. But obviously it was huge for my career. And also just as an actor it was great. The first year was really intense, and it was kind of hard to leave the character at work sometimes. You know, because it was so creepy and dark. And I think a lot of guys were struggling with that in the cast. There was a lot of theatre actors, a lot of New York actors. But after the first season, it just got to be like boys camp, you know. We just had fun.
That was a terribly risky show for that time.
Well at the time Ninety-six we started that HBO, which is the only place you could do that show. And really do it. I mean, I look back on it now, you know you see an episode and to me, maybe because it was really groundbreaking at the time, it actually doesnt stand up as well because it has been done so many times since. So to me it looks kind of dated to look back on it now. But that is kind of a testament to how groundbreaking it was. You know, it was just a great job in so many ways. Really not a week goes by that I dont you know, to myself [Laughing] thank Tom Fontana for that opportunity. Of course I never call him and tell him.
Well it will now be in print
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