Set Visit: Next
I really thought I had seen everything when it came to on-set visits. But my recent visit to the set of the science fiction action thriller NEXT (release date: September 28, 2007), which is based on a Philip K. Dick short story called "The Golden Man", definitely proved me wrong. If the film, which is about a man with the unique ability to see future events and affect their outcome, is half as dynamic and unpredictable as the visit was, moviegoers will definitely be in for a real treat. I was already jazzed about the fact that I was going to meet the stars of the film, heavyweights Nicolas Cage, Julianne Moore, and Jessica Biel, but it wasnít even the icing on the cake.
To help you fully appreciate what a unique visit this was, let me start right from the beginning. I drove to San Pedro, California, the home of many cool looking piers, complete with giant ships and tons of miscellaneous cargo equipment. The day was beautiful and sunny, but with a cool breeze, with the sky clear and blue. I was greeted by the publicist for Columbia Pictures, who promptly took me past a heap of security and onto the dock where they were shooting. The first thing I noticed, was a multitude of cameras, some on dolly tracks, others on cranes or being handheld. Our view was straight down the middle of the action, between two large cargo containers, where a white helicopter sat, its blades running going full force.
There were various crew members running around, so I waited and talked with some of the other reporters. Then out of the corner of my eye, I saw two dark military helicopters on the horizon, coming towards the set. As they got closer, one proceeded to swoop down towards the white copter on the ground. The grey door slid open and two gunmen dressed in tack uniforms with M-16ís started to shoot at the parked chopper.
Thatís when all hell exploded, as the group of us found ourselves facing a barrage of gun toting terrorists, who were all shooting their guns in our direction. I wasnít even worried, until I saw that other crew members were running behind the cargo containers for cover. In a mix of bullets, squibs, explosions, and flaming sparks, I did think at one point ďshould I really be standing here?Ē I mean, after all, the publicist wouldnít put me in the line of fire, would she? (Maybe she read my last review!) Before I could answer the question, a large horn sounded, everyone stopped shooting and I heard, ďCutĒ.
Forget Universal Studios Tour, I was in the middle of a frigging war between terrorists and military men and it wasÖthe coolest thing I had ever seen! The energy from the scene was so palpable, so real, that my heart was racing a mile a minute. And not knowing that it was going to happen, only made it a million times sweeter. I looked about ten feet in front of me; the ground was littered with empty shell casings, and I thoughtÖĒI love the smell of napalm in the morning!Ē (Can you blame me; the terrorists were pointing the guns and shooting directly at us!)
It really was one of the most spectacular things I have ever seen and did give me more of an appreciation for all the fantastical elements that go into an action sequence of such magnitude. The director of this film is DIE ANOTHER DAY and XXX: STATE OF THE UNIONís Lee Tamahori (who walked around the set in a very distinctive Hawaiian shirt checking everything!) and he is definitely upping the ante in terms of action; it was highly impressive to watch his work live.
There were a few other scenes, a close up on the stationary helicopter when itís attacked and the aftermath of the whole sequence, where military guys clear the way for Cage and Moore to cross over to a large nearby ship that awaits them, all of which were cool. But for sheer adrenaline and ambush factor, they paled in comparison to the first thing I saw. Not that the whole day wasnít a totally cool experience, Iíve just never encountered anything as staggering as that before; it was something I will never forget.
Moore is an actress with amazing range.
Her ability to go from indie films like SAFE and BOOGIE
NIGHTS to bigger budget fare like HANNIBAL and THE LOST WORLD:
JURASSIC PARK has made her one of the most sought after actress
working in film today. Her
collaborative work with Director Paul Thomas Anderson alone is
something to be hailed. Like
in HANNIBAL, Moore once again plays an FBI Agent in NEXT, a role she
freely admits was not hard to play. Her
candid and honest answers were a refreshing change, a truly rare and
unique interview to say the least. So
with her dog Cherry in tow, Moore talked about playing an FBI Agent
for the second time, the challenge of playing a role with not that
many challenges, and going from indie films to big budget movies and
youíve played FBI agents beforeÖ
you draw on any of those experiences to play the character in NEXT?
the gun training. I mean
the funny thing is that with HANNIBAL I did extensive research at
Quantico and stuff. The
nice thing was cause Iíd already done it (she laughs), I didnít
have to do it again. And
this is all fun; I think we took many more liberties with in a movie
like this then we did in HANNIBAL.
there any stretching yourself as an actor in this film?
Umm, no. (laughs) You know what? Its fine to actually play somebody who doesnítÖthe nice thing about playing a character who is the pursuer is I donít have the responsibility of making my character the emotional center of the movie. With this, Iím almost the bad guy; Iím the person who is pursuing the emotional center of the movie who is Nic. So Iím going after Nic, so for me, I had a lot of permission to be the bad guy, be like well I donít care, well letís go get him, itís just sort of fun to do because itís a different way to approach things.
has been the most challenging part of your role so far?
challenging aspect has been to make the dialogue sound reasonably
you have many scenes with Nic and what was it like working with him?
We have a few. We have a good time together, you know? We had a scene that we got there at seven in the morning and sat on set for an hour and a half trying to figure out how we are going to say it, how are we going to work it out so that it seemed reasonable for his character and my character. But heís a lovely person to work with.
does your character find out about Nic?
was because he rose to the top of a gambling fraud wish list,
thatís how I know. If
youíre in the FBI youíre tracking criminals.
appealed to you about the character?
thought it would be kind of fun to play sort of the bad guy, a
compared to other roles youíve done, is this a lot easier for you?
Yeah, I mean itís not backbreaking work by any stretch of the imagination. I mean, itís a very specific kind of movie. Itís an action movie with a sci-fi kind of edge and its very, very plot driven, but itís a lot of fun. I also think itís kind of timely, you know itís dealing with terrorism.
you going to be in Paul Thomas Andersonís next film?
are shooting it now, no.
it been like zigzagging from big budget plot driven films to more
character driven indie films?
Itís good, you know, I mean nobody wants to see the same thing all the time, so itís nice to have the opportunity to do both. You canít make a living doing independent films, you have to do commercial films literally to make a living and the film Iím doing after this, I think Iím maybe making scale on. But you know, you have to go back and forth just as a practical.
film is that?
GRACE. Itís based on a
true story on a book that was published in 1985, about a woman named
Barbara Daly Baekeland.
has been your most challenging role to date?
donít know, they all have different kinds of challenges.
was it like working with the Director Tamahori, versus someone like
Paul Thomas Anderson?
when someone has written something, they have a different
relationship to it. And
Leeís been terrificÖ
this point there is screaming noises outside and we clearly see a
few men armed with guns doing a scene.)
wait a minute, thatís my boyfriend, donít shoot!
(laughs) That is
funny. Itís a
different kind of film, clearly, as you can see.
exits and says ďDonít get caught in sniper fire!Ē Ė too