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The Good. The Bad & The Badass: Tilda Swinton

10.31.2016
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Last week, we took a look at the career of director Ron Howard. This week’s subject takes us back in front of the camera, as is one of the most enigmatic actresses of our time...
Tilda Swinton

There’s no one quite like Tilda Swinton, and I mean that as a compliment. A throwback to the enigmatic actresses of another era, a la Marlene Dietrich, no one really knows too much about Swinton, who keeps her personal life shrouded in mystery and disappears into each role. There’s no such thing as a typical Swinton performance. Each is uncanny and highly unique.

I first became aware of Swinton as a film student, watching her mid-nineties European works in class. I only noticed her presence in American films around the time I saw VANILLA SKY, and she never really became a consistent presence in big studio films until the mid-2000’s, when she received a – much deserved – Oscar win for MICHAEL CLAYTON.

From that point on, she became a familiar face to all manner of film buffs, capable of playing parts in studio-driven blockbuster fare like CONSTANTINE, or more colorful parts in indies like Jim Jarmusch’s THE LIMITS OF CONTROL. This has been a good year from Swinton, with her earning raves for her leading part in A BIGGER SPLASH, and – presumably – a hefty paycheck for her controversial casting as “The Ancient One” in Marvel’s DOCTOR STRANGE.

Her Best Work

Lynn Shelton got a lot of bad press when she walked-off the set of Natalie Portman’s JANE GOT A GUN, but hopefully it won’t derail her career too badly as she’s one hell of a director. WE NEED TO TALK ABOUT KEVIN is a masterpiece, and Tilda Swinton gives the performance of a lifetime as the titular character’s mom, who realizes early-on that her son, played by a chilling Ezra Miller, is a psychopath. This could have been a genre film, but Shelton makes it a sobering domestic drama, and Swinton’s performance as the alternately horrified mom and then - later - the numb guilt-ridden survivor is among the best acting jobs I’ve seen in the last decade or so.

Her Most Overrated Work

I know that a lot of people, specifically critics, think Luca Guadagnino’s I AM LOVE is a masterpiece, but suffice to say I’m not one of them. An ultra-stylish melodrama, Swinton’s performance is undoubtedly a major achievement in that she has to speak fluent Italian with a Russian accent and pretend not to speak English, but the movie itself is hollow to me. It’s pretty but very superficial, and I enjoyed Guadagnino’s follow-up, A BIGGER SPLASH, a lot more.

Her Most Underrated Film

It can’t be denied that society has become increasingly open-minded (for the most part anyways) about the concept of gender being somewhat binary, and that’s something that’s increasingly finding its way into film.. The recent PREDESTINATION and TV’s “Transparent” being two outstanding examples. Yet, Sally Potter’s ORLANDO is even more radical and it did so twenty-four years ago, with Swinton playing an immortal nobleman who, over the centuries, becomes a woman, even giving birth. Swinton’s performance was the one that really put her on the map in a big way and it’s a shame modern audiences seem fairly unaware of it, although it was an art-house success in its initial release. It’s well-worth tracking down, especially if you love Swinton (and Billy Zane is pretty great in it too!).

Her Best Scene

While we may joke about Swinton having an eccentric air about her in interviews, no one can deny that even in what you might presume to be paycheck parts, Swinton goes all-in. Controversy aside, her performance as “The Ancient One” in DOCTOR STRANGE is excellent, but Swinton was even better a couple of years ago in Bong Joon-ho’s epic SNOWPIERCER, where she played the villainous Mason. With a crazed, school-marm gone mad look and a thick brogue, Swinton is unforgettable, and her speech to the lower classes (as poor Noah Taylor is having his arm frozen off) was the first moment that made me realize SNOWPIERCER, despite it’s scant theatrical release, was going to be a masterpiece.

Her Five Best Films

5. THE GRAND BUDAPEST HOTEL
4. SNOWPIERCER
3. MICHAEL CLAYTON
2. ORLANDO
1. WE NEED TO TALK ABOUT KEVIN

Up Next

Swinton’s currently working on Bong Joon-ho’s OKJA, and also has parts in Brad Pitt’s WAR MACHINE and the Luca Guadagnino remake of SUSPIRIA.

CLICK IMAGE TO OPEN GALLERY & SEE MORE PICS...

Source: JoBlo.com

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11:25PM on 11/01/2016
The best/most interesting actress working today.
The best/most interesting actress working today.
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9:13PM on 10/31/2016
Last week I expressed how overrated I felt Ron Howard was. However, this week is a 180. I truly feel that Tilda Swinton deserves every bit of praise she gets. Character actors occasionally get lucky and are able to have successful A-List careers despite never being a leading man (sometimes even later in life such as J.K. Simmons). However, it seems to be a much rarer thing for actresses. Very glad that Swinton has enjoyed the success and recognition that she has, and that she seems primed to
Last week I expressed how overrated I felt Ron Howard was. However, this week is a 180. I truly feel that Tilda Swinton deserves every bit of praise she gets. Character actors occasionally get lucky and are able to have successful A-List careers despite never being a leading man (sometimes even later in life such as J.K. Simmons). However, it seems to be a much rarer thing for actresses. Very glad that Swinton has enjoyed the success and recognition that she has, and that she seems primed to buck the Hollywood stereotype by remaining an in-demand actress into her 50's.
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3:16PM on 10/31/2016

Always liked her as an actress

From Orlando (my introduction to her) to her more recent mainstream movies (I haven't seen Hail, Caesar or Doctor Strange yet). She can play offbeat characters straight like few can, still go back to do art house like it's nothing and still carry this ethereal feel like few can. The lady has skills.
From Orlando (my introduction to her) to her more recent mainstream movies (I haven't seen Hail, Caesar or Doctor Strange yet). She can play offbeat characters straight like few can, still go back to do art house like it's nothing and still carry this ethereal feel like few can. The lady has skills.
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2:25PM on 10/31/2016

the 1st photo

What's it from? Tilda looks quite nice in it.
What's it from? Tilda looks quite nice in it.
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3:09PM on 10/31/2016
The Limits of Control by Jim Jarmusch
The Limits of Control by Jim Jarmusch
1:14PM on 10/31/2016
My aunt had a VHS copy of Orlando. At the time I was too young for it, and I've never gone back to check it out, but after this maybe I will. Swinton is a truly singular actress in this modern era, and often irreplaceable in a way few actors are. I remember a critic remarking when she was announced as the White Witch "I can die happy." That's exactly the power she brings to almost everything she does. The notion that, whether you thought of her for the part or not, once she plays it, that's the
My aunt had a VHS copy of Orlando. At the time I was too young for it, and I've never gone back to check it out, but after this maybe I will. Swinton is a truly singular actress in this modern era, and often irreplaceable in a way few actors are. I remember a critic remarking when she was announced as the White Witch "I can die happy." That's exactly the power she brings to almost everything she does. The notion that, whether you thought of her for the part or not, once she plays it, that's the way it was always meant to be.
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10:33AM on 10/31/2016
She WON the Oscar for her performance in Michael Clayton!!
She WON the Oscar for her performance in Michael Clayton!!
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9:06PM on 10/31/2016
Which is absolutely true, but (in my opinion) a quintessential example of an actor/actress receiving the award for what is far from their best performance (see also Paul Newman, Tommy Lee Jones, Anne Hathaway, Melissa Leo, and the list goes ever on).
Which is absolutely true, but (in my opinion) a quintessential example of an actor/actress receiving the award for what is far from their best performance (see also Paul Newman, Tommy Lee Jones, Anne Hathaway, Melissa Leo, and the list goes ever on).
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