Four vignettes in Batista’s Cuba dramatize the need for revolution; long, mobile shots tell almost wordless stories. In Havana, Maria faces shame when a man who fancies her discovers how she earns her living. Pedro, an aging peasant, is summarily told that the land he farms has been sold to United Fruit. A university student faces down a crowd of swaggering U.S. sailors and then watches friends shot by police when they try to distribute a pro-Castro leaflet. The war arrives on the doorstep of peasants Mariano, Amelia, and their four children when Batista’s forces bomb the hills. Mariano wants peace, so he seeks out the guerrillas to join the fight.