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Sin City (2005)
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Review Date: March 26, 2005
Director: Robert Rodriguez, Frank Miller
Writer: Robert Rodriquez, Frank Miller
Producers: Elizabeth Avellan, Robert Rodriguez, Frank Miller
Actors:
Mickey Rourke as Marv
Bruce Willis as Hartigan
Jessica Alba as Nancy
Plot:
Three stories make their way across this moving picture, including the first which features a brute of a man who wakes up with a naked, dead, sexy body next to him in the morning, and spends the rest of his story, attempting to avenge the hottie’s murder, the second which features a wicked man and his moron buddies who unwisely mosey into the hooker section of town and end up paying dearly for their ignorance, and the third which features a honest cop who helps a young girl from being raped, but eight years later, has to find and protect her from a madman, once again. All the while, the frames are in black-and-white, the chicks are hot, the men are badass and the city…well, she’s draped in sin!!
Critique:
Comic book noir. I love it! If you love your comic books violent, dirty, gritty, filled with badass characters either looking to kick ass or getting their asses kicked (or both), and your movies hyper-stylized, cool, rapid-fire and chockfull of over-the-top characterizations from every horny adolescent’s wildest and most masochistic imagination, you’ve come to the right place…i.e. SIN CITY is for you! Ever since 1994’s PULP FICTION bitchslapped the movie industry with its own rules of cinematic cool, fanboys like myself have been salivating at the thought of another mega-slick motion picture slipping us its slobbery wet tongue, and much like the aforementioned classic, SIN CITY does so with its own visual rules, its own 3-part story-line sprinkled with some crossover characters and its own horde of hip movie actors, all proud to have, even, a small part in yet another revolutionary step in the evolution of cinematic cool. From this film’s gentle opening sequence featuring a well-groomed, soft-spoken young man seemingly “helping” a struggling young lady out, we are tossed head-first into one of the more relentlessly violent and visually intoxicating movies, beginning with “Story One”, featuring an unbelievably well-cast Mickey Rourke as Marv, an ogre of a man with rocks as fists and a heavy heart for a naked “angel” who died in his arms the night before.

“I check the list. Rubber tiring. Gas. Saw. Gloves. Cuffs. Razor wire. Hatchet. Gladys. And my mitts.”

The film mixes the steamy romance of your old school film noirs, and their corresponding score, voice-over narration, shadows, fog and underlying mystery, with today’s wicked technology, black-and-white visuals painted with colors, rockin’ violent convulsions and action throughout, envelope-pushing comic gore and actors delivering some of the coolest, most memorable dialogue since Tarantino’s heyday. Yes, it’s all very comic-booky, but that’s what I loved about it! It actually looks like a comic book, specifically Frank Miller’s SIN CITY graphic novels, from which the stories are completely translated, so that every detail, every line, every exaggerated kill works because the environment is reproduced in such a believable way, that you’re just sitting there, turning the pages in your head, looking forward to the next part of the story. That said, I can certainly see how many people might not “get into” that comic book mode and flip the whole thing off like many did SKY CAPTAIN AND THE WORLD OF TOMORROW last year (another movie that incorporated some entirely unique visuals which audiences apparently weren’t prepared to embrace), but if this film’s trailer or clips have excited you in any small way…I really don’t see how this entire 2-hour movie won’t tighten the balls around your pecker and make you want to kiss the filmmakers, for coming out with something that non-safety-net movie fans can enjoy in this new year.

“She doesn't quite chop his head off. She makes a Pez dispenser out of him.”

What else did I love about this movie? Let me count thee ways. I loved pretty much every single one of its characters, but most of all, Marv, played by Rourke as a slow, yet sympathetic man (he doesn’t hit girls), who just wants to get revenge on the people who snuffed out his woman, and who will literally go through anyone or anything, in order to do so. His story, which included an entirely unique villain played creepily by Elijah Wood, was as good as it gets, with my only complaint being that it actually had to end (oh, and did I mention that Carla Gugino prances around half-naked in this section and looks delicious while doing so?). In fact, it’s hard for the rest of the film to maintain that same momentum afterwards, so things do “slow down” to a certain extent after that, but the full-blown entertainment remains. The second story isn’t as charged, with Del Toro and Owen going man-a-mano in a section that includes plenty of tough-ass hookers (with hearts of gold, of course) and an even cooler (and silent) villain played by Devon Aoki, as a ninja-star throwing, sword-wielding, ass-kicking Manga chick with plenty of mustard and attitude. Lots of violence thrown into this section helps it go down easy, but the presence of the very awful Brittany Murphy almost sinks some of it, with her usual wide-eyed acting. The third section, starring Bruce Willis and the extremely photogenic Jessica Alba looking about as sexy as one can on film, is also very good, with a little less emphasis on violence (although there’s plenty of yellow blood to go around), but more on an actual “cute” loving relationship between the two, with the first scene in which Willis sees Alba in the strip joint, topping that chart. A bookworm, eh? I don’t think so!

“It's time to prove to your friends that you're worth a damn. Sometimes that means dying, sometimes it means killing a whole lot of people.”

There’s so much more about this film that I can discuss, but I honestly don’t want to write a novel here (too late, asshole). The bottom line is that the movie comes at a perfect time in the industry when Hollywood is about as stale as it’s been in the past few decades, so hopefully this vibrant piece of filmmaking will inspire others to snap out of their comas and attempt to deliver higher quality pictures to audiences around the world. If you’re squeamish in any way (decapitations around every corner in this town!), if you can’t get into gritty, comic book tales set in a dirty-dirty city in which the cops are dicks and the chicks are hot and carry guns, this might not be for you, but if eye-popping visuals, tremendous fun, delectable dialogue, ultra-cool characters and three engaging stories (oh, and plenty of laughter to boot), each of which doesn’t necessarily finish on a “happy note” sound like your sorta Friday night meal ticket, please check out this movie when it opens in theaters and bring some buddies or lady friends along for the ride. You won’t be disappointed. Note: I loved the “homage” to our very own Arrow in the Head (leave me alone, I like to dream) via one of the funniest sequences in the film. I won’t ruin it here, but look for it.

“There’s wrong and there’s wrong and then there’s this!”
(c) 2017 Berge Garabedian
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11:47AM on 01/13/2006
What a kickass movie!!! You got kickass characters, stories . . . but the thing that most stands out is the visual style. You got film noir, a comic book feel, and an overall gothic look that was hard to turn away from just because it looked so damn awesome. You've never seen anything like it before. What adds to its mystique is the use of colors every now and again as symbolism for something or somebody in the movie. It was very effective.

I don't think this movie will be for everybody,
What a kickass movie!!! You got kickass characters, stories . . . but the thing that most stands out is the visual style. You got film noir, a comic book feel, and an overall gothic look that was hard to turn away from just because it looked so damn awesome. You've never seen anything like it before. What adds to its mystique is the use of colors every now and again as symbolism for something or somebody in the movie. It was very effective.

I don't think this movie will be for everybody, though. It's not your everyday movie; this movie just follows three different stories that occur in the title city. I can see why people have compared this to Pulp Fiction; it's very stylistic, there are several one-liners that I can see people repeating in years to come, and there are several stories going on that have little to do with the others. The characters sometimes "bleed" into the others, but have little to do with each's respective plots.

You got lots of stuff that I wasn't expecting there to be that much of (does that make sense??). Lots of violence and T&A. Oh yeah, Carla Gugino . . . NIIIIICE!!! But the violence . . . DAMN!! But it adds to the movie and makes it even more kickass. You got cops being thrown all over the place, slicing and dicing, and guys balls being ripped out. Graphic . . . sure. Gory . . . definitely. Kickass in the Black & White comic book style . . . hell yes.

The leads in all three stories were kickass. From their voice-over monologues, to their performances that went along with their inner thoughts. I can't see anybody else doing Mickey Rourke's role after seeing him. But this cast is one of the most impressive ones ever put to film: Rourke, Bruce Willis, Clive Owen, Powers Boothe, Michael Madsen, Elijah Wood (who is creepy as hell), Jessica Alba, Rosario Dawson, Michael Clarke Duncan, and much more.

Watch this movie for its visual syle alone. The B&W style of this movie really adds to the effect of Sin City. There's symbolism written all over this movie. It's unique in it's presentation: three different stories, it's visual style, and it's narration.
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1:44AM on 09/26/2005
Anyone else notice that the scene where Dwight shoves Jackie's head into the toilet is lifted shot-for-shot from Kill Bill volume 2 with Beatrix and Elle in Bud's trailer?
Anyone else notice that the scene where Dwight shoves Jackie's head into the toilet is lifted shot-for-shot from Kill Bill volume 2 with Beatrix and Elle in Bud's trailer?
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10:24AM on 07/25/2005

Awesome

When i see a preview for a movie like this i always fear the same thing, "style over substance". This movie had plenty of both. Robert Rodriguez, a true "visionary" director, brought Frank Miller's work (with Miller's help) to life with incredible accuracy. I can see how some people might find this direct and true adaption a bit boring at parts (its only flaw might be that its too much like the comics), but all in all its a great flick. The cast, who worked almost entirely against a green
When i see a preview for a movie like this i always fear the same thing, "style over substance". This movie had plenty of both. Robert Rodriguez, a true "visionary" director, brought Frank Miller's work (with Miller's help) to life with incredible accuracy. I can see how some people might find this direct and true adaption a bit boring at parts (its only flaw might be that its too much like the comics), but all in all its a great flick. The cast, who worked almost entirely against a green screen, did a great job for the most part (highlight being Micky Rourke, lowlight being Britney Murphy). For a movie like this all you really need is for someone to tell you its something you need to see, the rest is all right up on the screen for you to take in.

Misc Thoughts:

-Micky Rourke is the shit

-The chick from Son In-Law (yes, the Pauly Shore movie) it topless in this flick.

-RR is a hero of mine

-In case you're wondering, the part that Tarantino guest directed is when Owen is in the car with Del Toro's head.
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