Pixar‘s Hoppers is off to a solid start at the box office after pulling in $3.2 million in Thursday previews. Meanwhile, Maggie Gyllenhaal’s The Bride didn’t electrify audiences as Warner Bros. had hoped, grossing only $1 million on opening night.
Hoppers is already a hit with critics, earning a 96% fresh score on Rotten Tomatoes after 120 reviews, with an audience score expected to drop soon. The Daniel Chong-directed animated comedy is Pixar’s highest-scoring film since 2017’s Coco, boding well for Pixar’s non-sequel features. Analysts predict Hoppers will earn $35 million to $40 million from 4,000 theaters this weekend, which should be enough to secure first place on the charts. According to reports, Hoppers cost Pixar $150 million to produce, $50 million less than the usual price tag for one of Pixar’s star-studded animated adventures.
In Hoppers, a 19-year-old animal lover uses technology that places her consciousness into a robotic beaver to uncover mysteries within the animal world beyond her imagination. Piper Curda voices Mabel, the film’s protagonist. At the same time, Bobby Moynihan plays King George, Jon Hamm plays Mayor Jerry Generazzo, Kathy Najimy plays Dr. Sam, Dave Franco plays the Insect King, Eduardo Franco voices Loaf, Sam Richardson voices Conner, Meryl Streep plays the Insect King, in addition to others.
Directed and written by Maggie Gyllenhaal, The Bride stars Jessie Buckley and Christian Bale as Ida and Frank, respectively, two “monsters” living a life of romance, crime, and radical social change. JoBlo’s Chris Bumbray reviewed The Bride for the site, saying that while Gyllenhaal’s monster mash isn’t an all-timer, it’s occasionally brilliant and never dull.
“Much has been written about how the theatrical cut of The Bride took some time to come together, and it has the feel of a movie that’s been edited down,” Chris wrote in his review. “It’s uneven, at times frustratingly bad, but then at others it’s absolutely riveting. Regardless of whether or not The Bride goes down as a failure or a success (it will almost certainly become a cult movie), there’s no denying that Gyllenhaal has serious chops behind the camera and is a rising talent as a director.”
As soon as I publish this article, I’m buying a ticket to see Hoppers. It’s been ages since I saw a Pixar movie in theaters, and I’ve had my eye on Hoopers for a while. I’ll pass on The Bride, even though it sounds like a good time. I like monster movies with biting commentary as much as the next moviegoer, but I’m not in the mood. My tune may change as word of mouth grows, but until then, Hoppers is where my money’s going.
For more about this weekend’s box office, make sure you check out our predictions for how earnings could shake out.