In Capitalism: A Love Story, Michael Moore is working at the top of his game. The film explores a taboo question: what price does America pay for its love of capitalism? Years ago, that love seemed so innocent. Capitalism meant productivity and security. Now, as financial institutions run amok and families lose their savings, the American dream is looking more like a nightmare. Moore takes us into the lives of ordinary people whose worlds have been turned upside down by the economy, and goes looking for explanations in Washington, D.C., Wall Street and elsewhere. He pays careful attention to the 2008 bank bailout that occurred during the waning days of the Bush administration. Was this really the best hope for America, or just another money grab by the nation’s wealthiest?
Moore has an established knack for finding a fresh angle on familiar headlines. Even in an age of excess, he has the ability to surprise. But for all the harsh realities that he uncovers, his films have a way of empowering audiences. By drawing communities together in theatres, he reminds us that there is strength in our numbers.
