The Strangers infiltrated Stagecoach to promote the release of Chapter 1

The Strangers crashed the party at the Stagecoach Festival to promote the May release of The Strangers: Chapter 1The Strangers crashed the party at the Stagecoach Festival to promote the May release of The Strangers: Chapter 1

Lionsgate is planning a May 17th theatrical release for the horror film The Strangers: Chapter 1, and this past weekend they continued their viral marketing approach to promoting the movie. When the South by Southwest festivals were held in Austin, Texas last month, the Strangers were spotted around the city. When the music and arts festival Coachella was going on in Indio, California, the Strangers showed up there, too. Over the weekend, the Stagecoach Festival – which is described as “country music’s biggest party” was also held in Indio… and the Strangers crashed that party as well. A video of the Strangers at Stagecoach can be seen in the embed above, and images of their time at the festival can be seen at the bottom of this article.

The Strangers: Chapter 1 was directed by Renny Harlin, who shot an entire trilogy of Strangers movies at the same time. We’ve heard that Lionsgate will also be releasing The Strangers: Chapter 2 and The Strangers: Chapter 3 by the end of the year.

Madelaine Petsch (Riverdale)  has the lead role in Chapter 1 and is joined in the cast of these films by Froy Gutierrez (Cruel Summer), Rachel Shenton (All Creatures Great and Small), Gabriel Basso (Hillbilly Elegy), and Ema Horvath (The Lord of the Rings: The Rings of Power). The Strangers: Chapter 1 centers on Petsch’s character as she drives cross-country with her longtime boyfriend (Gutierrez) to begin a new life in the Pacific Northwest. When their car breaks down in Venus, Oregon, they’re forced to spend the night in a secluded Airbnb, where they are terrorized from dusk till dawn by three masked strangers. Lionsgate plans from there to expanding the story in new and unexpected ways with its sequels.

The new Strangers trilogy was filmed in Slovakia. Courtney Solomon produced them with Mark Canton, Christopher Milburn, Gary Raskin, Charlie Dombeck, and Alastair Birlingham. Andrei Boncea, Dorothy Canton, and Roy Lee serve as executive producers. Rafaella Biscayn, Frame Film SK, Johanna Harlin, Juan Garcia Peredo, and Alberto Burgueno are co-producing. The first film has earned an R rating for “horror violence, language and brief drug use.”

Harlin has said The Strangers: Chapter 1 “is close to the original movie in its set-up of a young couple in an isolated environment in a house and a home invasion happening for random reasons.” Then Chapter 2 and Chapter 3 “explore what happens to the victims of this kind of violence and who the perpetrators are of this kind of violence. Where are they coming from and why?

Are you looking forward to The Strangers: Chapter 1 and its sequels? Let us know by leaving a comment below – but first, take a look at these images of the Strangers at Stagecoach:

The Strangers: Chapter 1
The Strangers: Chapter 1
The Strangers: Chapter 1
The Strangers: Chapter 1
The Strangers Stagecoach
The Strangers Stagecoach
The Strangers Stagecoach
The Strangers Stagecoach

Source: Arrow in the Head

About the Author

Horror News Editor

Favorite Movies: The Friday the 13th franchise, Kevin Smith movies, the films of read more George A. Romero (especially the initial Dead trilogy), Texas Chainsaw Massacre 1 & 2, FleshEater, Intruder, Let the Right One In, Return of the Living Dead, The Evil Dead, Jaws, Tremors, From Dusk Till Dawn, Phantasm, Halloween, The Hills Have Eyes, Back to the Future trilogy, Dazed and Confused, the James Bond series, Mission: Impossible, the MCU, the list goes on and on

Likes: Movies, horror, '80s slashers, podcasts, animals, traveling, Brazil (the country), the read more Cinema Wasteland convention, classic rock, Led Zeppelin, Kevin Smith, George A. Romero, Quentin Tarantino, the Coen brothers, Richard Linklater, Paul Thomas Anderson, Stephen King, Elmore Leonard, James Bond, Tom Cruise, Marvel comics, the grindhouse/drive-in era