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I will look for you, I will find you and I will kill you. - Bryan
When I first saw the TAKEN teaser trailer with the âI will find youâ monologue spat out by the great
Liam Neeson, it was crystal clear to me from the get-go that it would be an Arrow Approved celluloid ride. It had my name written all over it! I recently got a shot at wrestling this mofo to the ground and making him mutter âuncleâ and although not all that I thought it couldâve been, I still had a freaking blast with it!
Co-written by âmacho man action kingâ Luc Besson; TAKEN was more in line with say the Besson penned KISS OF THE DRAGON than his masterpiece THE PROFESSIONAL. Any fat this flick couldâve had/used to have was kicked to the curb in favor of putting out a quick paced, Peyton Westlake cracks skulls and f*ck-starts heads shindig of fun. Straight up, once the relationships and initial premise established (in an affecting manner at that; the father/daughter thing so sold me) the gloves were ripped off and TAKEN started swinging.
All Qui-Gon Jinn did for an hour or so was go from place to place, f*ck dudes up, get info, which sent him to new locations where he wouldâŚ you guessed itâŚ bitch-slap more goons to get further infoâŚ and so forth. Think the A to B to C narrative structure of your usual revenge movie and youâll get an idea of how this one worked. Thankfully, the varied spices within the action sequences (hand to hand, gunplay, stunts, torture) made sure that the two tricks pony nature of the narrative never got old. I couldâve watched Michael Collins show off his "people skills" for days man!
With that snapped, all of the candy wouldnât have tasted half as sweet if the filmâs hero wasnât one I could root for. Neesonâs captivating performance as the loving and no-non-sense daddy-spy hit the spot. I so dug how he was always in control and ahead of the game. Shit, even while his daughter was getting bagged, the lad was two steps ahead. You got to respect that! It made for a cool hero trait. The undisputable fact that you canât get much cooler than Rob Roy throwing down and talking out the trash, helped as well. Add to all that a razor pace, frenetic editing that jacked up the restless vibe of the situation, a couple of hard hitting emotional scenes (the kidnapping had me) and some great bits of dialogue and you get simple flick that got the job done!
Alas, striving for such a furious pace came with a price: the potential depth the film couldâve had. Once Kinsey switched on, all of the secondary characters dropped out of the movie. The worried mother, the daughterâs POV as to her ordeal â NATHING on them. Just Henri Ducard kicking ass. The flick wouldâve been stronger as whole if it wouldâve capitalized on the emotional hand grenades that this kind of situation wouldâve detonated, but hey, it wasnât its M.O. â so be it. Lastly, some of the hand to hand fights were cut a litte too tight and close for my liking. Why American editors keep splicing fisticuffs so we donât see squat is still beyond me.
By and large, TAKEN shamelessly entertained this simpleton for an hour and half. No frills, no pretenses, just Liam Neeson mowing through human trash to get his daughter back. Nothing wrong with that! Give me a SEQUELLLLLL!