Under Paris Review
Xavier Gens killer shark movie doesn’t break any new ground (and can be quite stupid) but still provides entertaining underwater horror.
Xavier Gens killer shark movie doesn’t break any new ground (and can be quite stupid) but still provides entertaining underwater horror.
While it seems like it’s being treated as less of an event then it should be, Bad Boys: Ride or Die is a really good entry in the franchise.
Amanda Stenberg and Lee Jung-jae headline the most original Star Wars project in decades from Russian Doll co-creator Leslye Headland.
Jeremy Renner returns for his first role since his traumatic accident in Taylor Sheridan’s crime drama.
Tony Goldwyn’s father-son autism story, Ezra, is a feel-good movie that avoids cheap sentimentality in favor of realism.
We review the elevated, arthouse horror flick, In A Violent Nature.
Ron Howard’s documentary on Jim Henson’s life is a bit surface level but a beautiful look at one of the 20th Century’s most innovative minds.
Viggo Mortensen’s revisionist western, The Dead Don’t Hurt, is a fine entry into the genre with two great lead performances.
From the Let The Right One In writer, this rethinks zombies and provides a dissection of life after loss and what it truly means.
Benedict Cumberbatch and Gaby Hoffman lead a powerful yet bleak fantasy mystery from creator Abi Morgan.
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